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Showing results 38 to 56 of 56< previous 
Issue DateTitleAuthor(s)
2006-01Re-imagining Milirrpum v Nabalco in Werner Herzog's Where the Green Ants DreamHurley, AW; Kenyon, AT; Rush, PD; Young, A
2018-01-02Remembering German-Australian colonial entanglement: An introductionBarrett, L; Eckstein, L; Hurley, AW; Schwarz, A
2020Remembering German-Australian Colonial EntanglementsEckstein, L; Hurley, AW; Eckstein, L; Hurley, AW
2018-01-02Remembering Hermannsburg and the Strehlows in cantata form: Music, the German-Australian past and reconciliationHurley, AW
-Reports, silences and repercussion: wondering about the ballistic biography of the Leichhardt gunplateHurley, AW
2009-01The Return of Jazz: Joachim-Ernst Berendt and West German Cultural ChangeHurley, AW
2014-01Review of Elina Hytönen-Ng, Experiencing flow in jazz performanceHurley, AW
2014-01Review of Susan G. Figge and Jenifer K. Ward, Reworking the German Past: Adaptations in Film, The Arts and Popular Culture. (Rochester: Camden House, 2013 [2010]).Hurley, AW
2008-01Revisiting 'Nigger-Jew-Music': Jazz and the Tensions between Remembering and Forgetting the National Socialist PastHurley, AW
2013-01Ripe for a Diskursabenteuer: Jazz in Thomas Meinecke's Novels.Hurley, AW; Krick-Aigner, K; Schuster, MO
2013-01Son of the soil, proto-socialist or free spirit? Heinz Haufe's Entdeckungsreisen in Australien and the rehabilitation of Ludwig Leichhardt in East GermanyHurley, AW
2019-09-20Soundtracking Germany: Popular Music and National IdentityHurley, AW
2006-01Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of EuropeHurley, AW
2009-01"Tell you vot, baby: ze band voss svingkink und groovink!" Horst Liepolt and the Australian jazz boom of the 1970sHurley, AW
2008-01-01Three takes on intercultural film: Michael Edols’ trilogy of aboriginal films: Lalai dreamtime; floating, like wind blow ’em about – this time; and when the snake bites the sunHurley, AW
2011-01Tobias Titz and Martumili Artists: Photographic Encounters between Germany and AustraliaHurley, AW
2011-01Transparency as authenticity? Ronald Clyne and his cover art for Folkways.Hurley, AW
2019-04-03Whistling the death march? Listening in to the acoustics of ludwig leichhardt’s Australian explorationHurley, AW
2007-01Whose Dreaming? Intercultural appropriation, representations of Aboriginality, and the process of filmmaking in Werner Herzoga's Where the Green Ants DreamHurley, AW
Showing results 38 to 56 of 56< previous