1. OPUS at UTS

Browsing byAuthorEdmonds, E

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Issue DateTitleAuthor(s)
2018-02-01Practice-based research in the creative arts: Foundations and futures from the front lineCandy, L; Edmonds, E
2016-12-22SLNSW-UTS: A Historical Image Dataset for Image Multi-Labeling and RetrievalZhang, J; Lu, J; Shen, C; Curr, K; Phua, R; Neville, R; Edmonds, E
2016-05-07Art.CHI II: Digital art in a post-digital worldEngland, D; Latulipe, C; Bryan-Kinns, N; Edmonds, E; Clark, S
2016-05-07Tango apart: Moving togetherEdmonds, E; Clark, S
2014-01-01From turing machines to dynamic networks: The future of computational art systemsEdmonds, E
2013-12-01Representational systems with tangible and graphical elementsBerry, R; Edmonds, E; Johnston, A
2012-12-01Beyond computable numbers revisitedEdmonds, E
2012-03-26The planning and experience of time and space in three gestural media: Theatre, film and interactive filmDanylak, R; Edmonds, E
2011-01Learning from experience: A reflective curatorial practiceMuller, E; Candy, L; Edmonds, E
2011-01Collaborative Systems for Narrative ConstructionHills, DL; Candy, L; Edmonds, E
2011-01Memory, Schema and Interactive VideoLeggett, MG; Candy, L; Edmonds, E
2011-01Visual ExplorationsBowman, CP; Candy, L; Edmonds, E
2011-01Almost Tangible Musical InterfacesJohnston, AJ; Candy, L; Edmonds, E
2010-12-01AUXie: Initial evaluation of a blind-accessible virtual museum tourDulyan, A; Edmonds, E
2010-02-01We don't do google, we domassive attacks: Notes on creative R&D collaborationsFoster, J; Lin, A; Edmonds, E
2010-01-01How artists fit into research processesEdmonds, E; Leggett, M
2009-12-01Open in art, nature and emergenceSeevinck, J; Edmonds, E
2009-10-20Separation anxiety: Stresses of developing a modern day separable user interfaceKennard, R; Edmonds, E; Leaney, J
2009-08-18Artist, evaluator and curator: Three viewpoints on interactive art, evaluation and audience experienceEdmonds, E; Bilda, Z; Muller, L
2008-12-01Towards a generic framework for situated collaborative storytellingHills, D; Pisan, Y; Edmonds, E
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