Browsing byAuthorStevenson, I

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Issue DateTitleAuthor(s)
2024-09-30Running a student-led music label – design, delivery and evaluation of music business and professional practice trainingStevenson, I; Crabtree, J; Rouvellas, M; Waltzer, D
2024-05-31iMOVE 6-026 AVAS Soundscape Literature ReviewStevenson, I; Edworthy, J; Zhao, S; Naweed, A; Johnston, A; Kocaballi, B; Kirsch, C
2021-02-27Invalid Data WESTWilcox, F; Stevenson, I; Encarnacao, J; Cooke, G; Swanton, L
2021Heaven to Earth Border HouseStevenson, I; Crossman, B
2020-05-14Disciplinary perspectives on music performance through the lens of assessment criteriaStevenson, I; Encarnacao, J; Blom, D
2020-05-14Expanded practice Facilitating the integration of visual media, theatricality and sound technology into music performanceStevenson, I; Encarnacao, J; McPhee, E; Encarnacao, J; Blom, D
2020-05-14The iPad Orkestra ensemble Creative and collaborative learningStevenson, I; Blom, D; Encarnacao, J; Blom, D
2020-05-14Performativity and interactivity Pre-paradigmatic performanceStevenson, I; Encarnacao, J; Blom, D
2020Playing with Fire: New Australian music for electroacoustics and acoustic pianoStevenson, I; Blom, D
2017Staging De Quincey: Soundscape and Literary Language in Tess De Quincey’s Ghost QuartersGoodall, J; Stevenson, I
2016-07Soundscape analysis for effective sound design in commercial environmentsStevenson, I
2016Schaeffer’s Sound EffectsStevenson, I; Macarthur, S; Lochhead, J; Shaw, J
2015-07Performativity and Interactivity: Concepts for Framing the Pedagogy of MakingStevenson, I; Stevenson, I
2015Assessing Music Performance Process and Outcome Through a Rubric: Ways and MeansBlom, D; Stevenson, I; Encarnacao, J; Lebler, D; Carey, G; Harrison, SD
2014De Quincey’s AcoustemologyStevenson, I