Browsing byAuthorStevenson, I
Showing results 1 to 13 of 13
| Issue Date | Title | Author(s) |
| 2021-02-27 | Invalid Data WEST | Wilcox, F; Stevenson, I; Encarnacao, J; Cooke, G; Swanton, L |
| 2021 | Heaven to Earth Border House | Stevenson, I; Crossman, B |
| 2020-05-14 | Disciplinary perspectives on music performance through the lens of assessment criteria | Stevenson, I; Encarnacao, J; Blom, D |
| 2020-05-14 | Performativity and interactivity Pre-paradigmatic performance | Stevenson, I; Encarnacao, J; Blom, D |
| 2020-05-14 | Expanded practice Facilitating the integration of visual media, theatricality and sound technology into music performance | Stevenson, I; Encarnacao, J; McPhee, E; Encarnacao, J; Blom, D |
| 2020-05-14 | The iPad Orkestra ensemble Creative and collaborative learning | Stevenson, I; Blom, D; Encarnacao, J; Blom, D |
| 2020 | Playing with Fire: New Australian music for electroacoustics and acoustic piano | Stevenson, I; Blom, D |
| 2017 | Staging De Quincey: Soundscape and Literary Language in Tess De Quincey’s Ghost Quarters | Goodall, J; Stevenson, I |
| 2016-07 | Soundscape analysis for effective sound design in commercial environments | Stevenson, I |
| 2016 | Schaeffer’s Sound Effects | Stevenson, I; Macarthur, S; Lochhead, J; Shaw, J |
| 2015-07 | Performativity and Interactivity: Concepts for Framing the Pedagogy of Making | Stevenson, I; Stevenson, I |
| 2015 | Assessing Music Performance Process and Outcome Through a Rubric: Ways and Means | Blom, D; Stevenson, I; Encarnacao, J; Lebler, D; Carey, G; Harrison, SD |
| 2014 | De Quincey’s Acoustemology | Stevenson, I |
