Browsing byAuthorStevenson, I
Showing results 1 to 15 of 15
Issue Date | Title | Author(s) |
2024-09-30 | Running a student-led music label – design, delivery and evaluation of music business and professional practice training | Stevenson, I; Crabtree, J; Rouvellas, M; Waltzer, D |
2024-05-31 | iMOVE 6-026 AVAS Soundscape Literature Review | Stevenson, I; Edworthy, J; Zhao, S; Naweed, A; Johnston, A; Kocaballi, B; Kirsch, C |
2021-02-27 | Invalid Data WEST | Wilcox, F; Stevenson, I; Encarnacao, J; Cooke, G; Swanton, L |
2021 | Heaven to Earth Border House | Stevenson, I; Crossman, B |
2020-05-14 | Disciplinary perspectives on music performance through the lens of assessment criteria | Stevenson, I; Encarnacao, J; Blom, D |
2020-05-14 | Expanded practice Facilitating the integration of visual media, theatricality and sound technology into music performance | Stevenson, I; Encarnacao, J; McPhee, E; Encarnacao, J; Blom, D |
2020-05-14 | The iPad Orkestra ensemble Creative and collaborative learning | Stevenson, I; Blom, D; Encarnacao, J; Blom, D |
2020-05-14 | Performativity and interactivity Pre-paradigmatic performance | Stevenson, I; Encarnacao, J; Blom, D |
2020 | Playing with Fire: New Australian music for electroacoustics and acoustic piano | Stevenson, I; Blom, D |
2017 | Staging De Quincey: Soundscape and Literary Language in Tess De Quincey’s Ghost Quarters | Goodall, J; Stevenson, I |
2016-07 | Soundscape analysis for effective sound design in commercial environments | Stevenson, I |
2016 | Schaeffer’s Sound Effects | Stevenson, I; Macarthur, S; Lochhead, J; Shaw, J |
2015-07 | Performativity and Interactivity: Concepts for Framing the Pedagogy of Making | Stevenson, I; Stevenson, I |
2015 | Assessing Music Performance Process and Outcome Through a Rubric: Ways and Means | Blom, D; Stevenson, I; Encarnacao, J; Lebler, D; Carey, G; Harrison, SD |
2014 | De Quincey’s Acoustemology | Stevenson, I |