TY - JOUR AB - Since the mid-1960s, just after the time at which Jameson posits the emergence of postmodernist aesthetics, German musicians and producers, operating in a range of fields of musical production from highbrow Ernste-Musik (serious music) to jazz and rock, have experimented with notions of Weltmusik (a term I will not translate since, in German discourses, Weltmusik has tended to signify western music in which various musical components are thought to synthesise into a whole, whereas the English term `world music' has often been used by the music industry as a marketing label to represent `authentic' musics from the margins). AU - Hurley, AW DA - 2009/01/01 EP - 117 JO - New Formations PB - Lawrence & Wishart Ltd PY - 2009/01/01 SP - 100 TI - Postnationalism, Postmodernism and the German Discourse(s) of Weltmusik VL - 66 Y1 - 2009/01/01 Y2 - 2024/03/28 ER -