http://hdl.handle.net/10453/133653 2026-04-04T18:42:48Z http://hdl.handle.net/10453/124034 Title: Water, image, gesture and sound: composing and performing an interactive audiovisual work Authors: Walsh, L; Bluff, A; Johnston, A Abstract: © 2017 Informa UK Limited, trading as Taylor & Francis Group. Performing and composing for interactive audiovisual system presents many challenges to the performer. Working with visual, sonic and gestural components requires new skills and new ways of thinking about performance. However, there are few studies that focus on performer experience with interactive systems. We present the work Blue Space for oboe and interactive audiovisual system, highlighting the evolving process of the collaborative development of the work. We consider how musical and technical demands interact in this process, and outline the challenges of performing with interactive systems. Using the development of Blue Space as a self-reflective case study, we examine the role of gestures in interactive audiovisual works and identify new modes of performance. 2017-07-03T00:00:00Z http://hdl.handle.net/10453/11611 Title: Digital storytelling : the narrative power of visual effects in film Authors: McClean, ST 2007-01-01T00:00:00Z http://hdl.handle.net/10453/125738 Title: The last days of reality Authors: Pesce, M 2017-06-01T00:00:00Z http://hdl.handle.net/10453/133634 Title: Collaborative Creation in Interactive Theatre Authors: Johnston, A; Bluff, A Abstract: © 2018, Springer-Verlag London Ltd., part of Springer Nature. This article describes the collaboration between two digital artist/researchers from the Creativity and Cognition Studios at the University of Technology Sydney and the Australian based physical theatre company, Stalker Theatre. This collaboration has been under way since 2011 and has resulted in the creation of five major works that have toured internationally. 2018-01-01T00:00:00Z