http://hdl.handle.net/10453/52262 2026-04-03T22:17:19Z http://hdl.handle.net/10453/10582 Title: Benjamin, Proust, and the Rejuvenating Powers of Memory Authors: Forrest, T 2002-01-01T00:00:00Z http://hdl.handle.net/10453/19056 Title: Animated documentary and the scene of death: Experiencing Waltz with Bashir Authors: Schlunke, K Abstract: When brought together in the animated documentary, animation with its tradition of comic storytelling and gothic graphic fiction and the documentary film with its tradition of "realism" create new possibilities for understanding the relationship between spectatorship and memory. In this form memory and reality are volatile and changeable, yet believable. In the Israeli film Waltz with Bashir (dir. Ari Folman, 2008), the animated form of the bulk of the film is ultimately juxtaposed with television footage and still shots of the massacre within the Sabra and Shatila refugee camps. The film's final sequence of live footage, some of which would have appeared on most of our television screens across the world, makes of those passing seconds a death scene. As a "death scene" we see again but really for the first time the horror and the miracle of survival. The preceding animation with its intertwining flows of dreams and reality not only interrogates but enacts how memory can be seen. 2011-09-01T00:00:00Z http://hdl.handle.net/10453/17536 Title: Twarzy Dysonans: Schlingensief, Adorno I Freakstars 3000 Authors: Forrest, T Editors: Forrest, T; Scheer, AT 2011-01-01T00:00:00Z http://hdl.handle.net/10453/22739 Title: The Australian pied butcherbird and the natureculture continuum Authors: Taylor, HE; Lestel, D Abstract: Background in zoömusicology. The discipline of zoömusicology is a pioneering enterprise that requires the collaboration of practices, methodologies, and expert knowledge from a variety of areas. Pre-existing models for such research by musicologists are either absent or at best insubstantial. The various tasks at hand include the collection of extant recordings, the observation and recording of animals in the field, sonographic examination (and notation where feasible), and various types of musicological analyses. Zoömusicology contends with the methodological and conceptual issues that arise when music theory, designed to illuminate human musical traditions (especially the Western classical one), is applied to animal song. Background in ethology. With the break with the Cartesian tradition of the animal machine, an authentic science of animal behaviour emerged over the last two centuries, evolving both conceptually and methodologically. For example, Darwin, Huxley, Haeckel, and others recognised that man is also an animal. Lorenz, von Frisch, and Tinbergen founded the field of ethology, where a major challenge remains: that of accepting that animal communication is pertinent to the realm of signification rather than merely the realm of information transmission. Aims. This paper aims to extend the range of contexts in which musicologists contribute. The paper proposes a methodology and a rationale for the study of birdsong by musicologists that, in addressing both sound and musical behaviour, could be relevant to a range of issues on the natureculture continuum. 2011-01-01T00:00:00Z