Walking in the Limits

Wallen, LP; Reber, H; Krug, F

Walking in the Limits

Wallen, LP

Reber, H Krug, F

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Publication Type:: Performance
Citation:: 2006
Issue Date:: 2006-01

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Field	Value	Language
dc.contributor.author	Wallen, LP https://orcid.org/0000-0003-4856-9864	en_US
dc.contributor.author	Reber, H	en_US
dc.contributor.author	Krug, F	en_US
dc.date	2006-08-18	en_US
dc.date.issued	2006-01	en_US
dc.identifier.citation	2006	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12180
dc.description.abstract	Walking in the limits is a homogenic artistic work made of sound, words and space, dealing with the understanding of space and time in a very existential sense: it reflects upon perception and illumines the structures of individual memory.â : Isabell Hemmel, Walking in the limits, in: Tagesanzeiger Zurich, 17-8-2006 The stage space was based on a two year investigation into the supersymmetric string theory. In the case of string theory, consistency requires spacetime to have 10 (3+1+6) dimensions. The conflict between observation and theory is resolved by making the unobserved dimensions compactified. By simulating a biographical event staged over 24 hours in a hotel room in Berlin on the night that the wall fell on the 9 November 1989 and viewing these events in terms of the string theory we propose an 'observable' ten-dimensional simulation of the proposed reality offered by the string theory. Working closely with researchers at CERN in Geneva and the composer Heinz Reber the works seeks to make the invisible, visible and allow us to simulate the incomprehensible. The research goes further than illustrating a theory by proposing a new perspective on quantum physics through the disciplines of literature (Borges) Art (Wallen) and Music (Reber) by creating a fluid space in perpetual movement and ten differentiated space-time layers.	en_US
dc.language	English	en_US
dc.title	Walking in the Limits	en_US
dc.type	Performance
utslib.location	Berlin Volksbuhne , Gessnerallee Zurich , Festival La Batie Genf , Grand Theatre Luxembourg	en_US
utslib.for	1203 Design Practice and Management	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	open_access
pubs.place-of-publication	Berlin Volksbuhne , Gessnerallee Zurich , Festival La Batie Genf , Grand Theatre Luxembourg	en_US
pubs.start-date	2006-08-18	en_US

Abstract:

Walking in the limits is a homogenic artistic work made of sound, words and space, dealing with the understanding of space and time in a very existential sense: it reflects upon perception and illumines the structures of individual memory.â : Isabell Hemmel, Walking in the limits, in: Tagesanzeiger Zurich, 17-8-2006 The stage space was based on a two year investigation into the supersymmetric string theory. In the case of string theory, consistency requires spacetime to have 10 (3+1+6) dimensions. The conflict between observation and theory is resolved by making the unobserved dimensions compactified. By simulating a biographical event staged over 24 hours in a hotel room in Berlin on the night that the wall fell on the 9 November 1989 and viewing these events in terms of the string theory we propose an 'observable' ten-dimensional simulation of the proposed reality offered by the string theory. Working closely with researchers at CERN in Geneva and the composer Heinz Reber the works seeks to make the invisible, visible and allow us to simulate the incomprehensible. The research goes further than illustrating a theory by proposing a new perspective on quantum physics through the disciplines of literature (Borges) Art (Wallen) and Music (Reber) by creating a fluid space in perpetual movement and ten differentiated space-time layers.

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http://hdl.handle.net/10453/12180