Sound Amplification Technology and the Acousmatic Experience

Mulder, J

Sound Amplification Technology and the Acousmatic Experience

Mulder, J

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Publisher:: Institute for Psychoacousatics and Electronic Music (IPEM)
Publication Type:: Conference Proceeding
Citation:: Proceedings of the Second International Conference of Students of Systematic Musicology, 2009, pp. 43 - 48
Issue Date:: 2009-01

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Field	Value	Language
dc.contributor.author	Mulder, J	en_US
dc.contributor.editor	Naveda Luiz	en_US
dc.date	2009-11-18	en_US
dc.date.issued	2009-01	en_US
dc.identifier.citation	Proceedings of the Second International Conference of Students of Systematic Musicology, 2009, pp. 43 - 48	en_US
dc.identifier.isbn	9789087560201	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16718
dc.description.abstract	This paper aims to link the use of sound amplification technology to the Acousmatic theory as conceived by Pierre Schaeffer. The argument pursued here is part of my multi-disciplinary PhD thesis that researches the influence of the use amplification technology on music from Semiotic, Sociology of Music and Aesthetic perspectives.	en_US
dc.publisher	Institute for Psychoacousatics and Electronic Music (IPEM)	en_US
dc.relation.ispartof	Proceedings of the Second International Conference of Students of Systematic Musicology	en_US
dc.relation.ispartof	International Conference of Students of Systematic Musicology	en_US
dc.title	Sound Amplification Technology and the Acousmatic Experience	en_US
dc.type	Conference Proceeding
utslib.location	Ghent, Belgium	en_US
utslib.location.activity	Ghent, Belgium	en_US
utslib.for	1905 Visual Arts and Crafts	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
dc.location.activity	Ghent, Belgium	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Ghent, Belgium	en_US
pubs.start-date	2009-11-18	en_US

Abstract:

This paper aims to link the use of sound amplification technology to the Acousmatic theory as conceived by Pierre Schaeffer. The argument pursued here is part of my multi-disciplinary PhD thesis that researches the influence of the use amplification technology on music from Semiotic, Sociology of Music and Aesthetic perspectives.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/16718