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Issue Date	Title	Author(s)
2017-07-01	The perception of hyper-compression by mastering engineers	Ronan, M; Ward, N; Sazdov, R; Lee, H
2014-01-01	Factors influencing listener preference for dynamic range compression	Ronan, M; Sazdov, R; Ward, N
2011-07-29	An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques	Lynch, H; Sazdov, R
2013-01-01	An investigation into the perception of spatial techniques used in multi-channel electroacoustic music	Lynch, H; Sazdov, R
2016-11-14	The EU Project ORPHEUS: Object-based Broadcasting – for Next Generation Audio Experiences	Silzle, A; Sazdov, R; Weitnauer, M
2011-08-12	The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment	Sazdov, R
2016-01-26	The perception of hyper-compression by untrained listeners	Ronan, M; Ward, N; Sazdov, R
2014-01-01	Loudness normalisation: Paradigm shift or placebo for the use of hyper-compression in pop music?	Ronan, M; Sazdov, R; Ward, N
2011-11-04	An Ecologically Valid Experiment for the Perceptual Study of Multi-Channel Electroacoustic Music	Sazdov, R; Vande Gorne, A
2011-07-29	The Influence of Subwoofer Frequencies Within a Multi-Channel Loudspeaker Configuration on The Perception of Spatial Attributes in a Concert-Hall environment	Sazdov, R

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