X: Natalie Jeremijenko and the Remnant/ Emergency ArtLab

Muller, L

X: Natalie Jeremijenko and the Remnant/ Emergency ArtLab

Muller, L

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Publisher:: UTS Gallery
Publication Type:: Other
Issue Date:: 2010-11-09

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Field	Value	Language
dc.contributor.author	Muller, L
dc.date.accessioned	2011-06-28T01:56:25Z
dc.date.accessioned	2012-12-15T03:24:24Z
dc.date.available	2011-06-28T01:56:25Z
dc.date.available	2012-12-15T03:24:24Z
dc.date.issued	2010-11-09
dc.identifier.uri	http://hdl.handle.net/10453/19972
dc.description	Exhibition catalogue for 'X: Natalie Jeremijenko and the Remnant/Emergency ArtLab', curated by Lizzie Muller, Lian Loke, Tania Creighton, Holly Williams and Jacqueline Shilkoff, held at UTS Gallery from 9 November 2010 - 10 December 2010	en
dc.description.abstract	This exhibition is both “X” for experimental design, and “X”, for cross-fertilisation, cross-species collaboration and crossdisciplinary exploration. It presents an array of Jeremijenko’s inventions, prescriptions, actions and stunts that seek connectivity with nature at both an empathetic and a consequential level. Jeremijenko enters the ecological fray at a moment when scientists concur on the question of causality (yes, human action currently degrades the environment unsustainably), but we are still far from a consensus of action. Our own lifestyles and dependencies (multiplied through our exponentially growing populations) are the engines of our own destruction. Our resistance to change is propped up by our astonishing willingness to ignore consequences – even as they get closer and closer to home. Jeremijenko’s work seeks to burst the anthropocentric bubble of consumption and convenience that will eventually carry us to oblivion.	en
dc.language.iso	en	en
dc.publisher	UTS Gallery	en
dc.relation.replaces	http://hdl.handle.net/2100/1255
dc.title	X: Natalie Jeremijenko and the Remnant/ Emergency ArtLab	en
dc.type	Other	en
utslib.copyright.status	open_access

Abstract:

This exhibition is both “X” for experimental design, and “X”, for cross-fertilisation, cross-species collaboration and crossdisciplinary exploration. It presents an array of Jeremijenko’s inventions, prescriptions, actions and stunts that seek connectivity with nature at both an empathetic and a consequential level. Jeremijenko enters the ecological fray at a moment when scientists concur on the question of causality (yes, human action currently degrades the environment unsustainably), but we are still far from a consensus of action. Our own lifestyles and dependencies (multiplied through our exponentially growing populations) are the engines of our own destruction. Our resistance to change is propped up by our astonishing willingness to ignore consequences – even as they get closer and closer to home. Jeremijenko’s work seeks to burst the anthropocentric bubble of consumption and convenience that will eventually carry us to oblivion.

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http://hdl.handle.net/10453/19972