Browsing Non-traditional Outputs by Title

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Browsing Non-traditional Outputs by Title

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  • Titmarsh, M (Marrickville Council, )
    Chromophiliac 2 (2010) (purple) slumped perspex 48 x55 x 97cm, Chromophiliac 2 (2010) (green) slumped perspex 64 x 80 x 93cm
  • Colourism 
    Titmarsh, M (Peloton Gallery, )
    This solo exhibition by Mark Titmarsh explores the spectacular nature of colour and its importance in maintaining the presence of painting in its interface with other media especially sculpture, installation, performance ...
  • Andersen, LJ; Talmacs, N (Arts Northern Rivers, 2006-01)
    This report provides an overview of festivals in the Northern Rivers region of NSW, with a focus on audiences and marketing. By identifying common ground in the development needs, marketing approaches and sustainability ...
  • Macris, A (Maison du Passant, 2004-01)
    I was invited to contribute a chapter from my novel-in-progress, Great Western Highway, to Le Passant Ordinaire, a French journal of philosophy, literature and politics funded by the French Ministry for Culture and ...
  • Deep 
    Dwyer, CM; Jacobs, J (ABC Radio National, 2006-01)
  • Beilharz, KA (Australian Music Centre, 2005-01)
    Background - This is a work for solo piano of approximately 11 minutes duration for professional standard performers. It is an original composition score commercially available through the Australian Music Centre, the ...
  • Manning, PC (Australian Centre for Independent Journalism, UTS, 2004-01)
    BOOKLET, 48pp
  • Caines, C (Arte Neuvo Interactiva, )
    Background - My inclusion in this Biennale was facilitated by the Cuban curator Raul Moarquech Ferrera-Balanquet whom I met in 2001 while doing an Asialink residency at Chulalongkorn University in Bangkok. When he asked ...
  • Caines, C (, )
  • Falconer, DC (Blank Inc, 2004-01)
  • Beilharz, KA (Australian Music Centre, 2009-01)
    Background This is a brief solo piano work contributing to professional contemporary repertoire for the piano. The work is a fleeting allusion to the rapidly transforming moods, colours, light and reflections of Sydney ...
  • Macris, A (2006)
  • HOME 
    Joseph, SA (UTSePress, 2013-01)
    There are many ubiquitous notions of the modern Western 'home' including psychological, spatial and emotional. As a universal social construct, its principle differentials are cultural and inter relational. Despite a ...
  • Neumark, N; Miranda, MC (Sound of Failure, )
    Research Background Current international developments in the field of media art have seen the exploration of ideas or issues move to the foreground and focus on the mediums and technology to the background. Works exploring ...
  • Price, J (Canberra Times, 2007-01)
    'INDIGENOUS TALKING BLACK - Representing indigenous voices in the mainstream media Background When the Howard Government decided to implement the Northern Territory Intervention in 2006, the media representation of Aboriginal ...
  • Jazz Pope 
    Hurley, AW
    Jazz Pope focusses on the idiosyncratic writer .and producer Joachlm Ernst Berendts influential role within the German and international jazz scenes. Assembling a swag of cover of photographs, music and text. the exhibition ...
  • Dale, J (Fourth Estate, 2010-01)
    He knows what he wants . . .just not how to get it Everyone at work wants to know why an associate professor of philosophy would stoop to having sexual relations with a man as spectacularly unsuccessful as myself. Well, I ...
  • Titmarsh, M (Mark Titmarsh, )
    A group exhibition of five artists working multimodally that asked the question, What is painting? Why is it meaningful to claim that an artwork is still a painting within the interdisciplinary and pluralist cultural ...
  • O'Neill, SP; Byrne, B
    Background Experimental music and sound art events in Sydney have mostly occurred in artist run spaces, which are often not appropriate for focused listening and deep engagement with work. Such events are also often ...
  • O'Neill, SP; Byrne, B
    Background Liquid Architecture, Australia's national festival of sound arts, made a successful Sydney debut in 2005, developing audiences for sound art through diverse, high quality programming. 2006 saw the challenge of ...