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  • Heffer, C (-, )
    The analysis of lace as an historical artefact was based on the Lace collection at the Powerhouse Museum Sydney, with a mentorship with lace historian, Rosemary Shepherd. The intention was to translate lace in a contemporary ...
  • Boydell, S; Baya, U (Land Equity International / accessUTS, for the Ministry of iTaukei Affairs, Republic of Fiji Islands, 2010-01)
    This confidential Final Report comprises the formal Review of the iQoliqoli (Fishing Ground) Compensation Policy, undertaken between July-October 2010 by LEI consultants Professor Spike Boydell and Mr Ulai Baya (both of ...
  • Lie, Stefan (Object: Australian center for craft and design, 2004)
    Three creative works exibited in exhibition at the Sydney Opera House as part of Sydney Festival 2004. Accompanied by catalogue published by Object: Australian center for craft and design. Also featured in Sydney Morning Herald.
  • Wallen, LP; iglhaut, S; Fujisaki, K; Shimizu, Y
    Project producer :Stefan Iglhaut, Berlin Content Robots and Exhibition Design: Lawrence Wallen, Berlin Content research:Dr. Bettina Drescher, Berlin Technical realisation: Fraunhofer Institute, Dortmund Patron: Goethe ...
  • Grau, U (-, 2012-01)
  • Pandolfo, B
    'Safety Catch' was developed in response to a number of design initiatives: in 2005, Paola Antonelli curated 'Safe: Design Takes On Risk' exhibition at Museum of Modern Art, New York, where the issue of how security can ...
  • save_as 
    Gwilt, ID (DAB DOCS, )
    Curatorial Rationale: New Media artwork has moved beyond the recorded mediums of photography and film to encompass interactive, augmented, and generative works due to the appropriation of and reliance on digitization by ...
  • Anderson, B; Medlin, M; Spurr, S
    SEAM 2009 Spatial Phrases was a multi-tiered event that explored the nexus between architecture, space, film and the moving body. It included a three day symposium (18-20 September) , multiple workshops, specially commissioned ...
  • Clifton-Cunningham An (Tamworth Regiuonal Art Gallery, NSW, 2015-02-02)
    two knitted garments featuring laser cut material and hand stitching.
  • Clifton-Cunningham An (Tamworth Regional Gallery, )
  • Clifton-Cunningham An (Tamworth Regional Gallery, )
  • Loschke, S (Royal Australian Institute of Architects, )
    The Venice Architecture Biennale is held every two years in Venice, Italy and is the most important event on the international contemporary architecture calendar. Thousands of the worlds most influential architects, ...
  • Titmarsh, M (Museum of Contemporary Art, Sydney, )
    Annual Audi Art Prize
  • Sadokierski, ZA (Boccalatte Pty Ltd, 2009-01)
    Single page illustration, in response to Rebecca Huntley's essay 'Serious Hair'.
  • Anderson, B; Rees, M; Ladd, E (2005-01)
    The idea behind Settlement was literally to settle the new Divergence Dance Company (Wales' contemporary dance company) into their home in the Cardiff Millennium Centre. Commissioned by the company as co-director, designer ...
  • Heffer, C (Tamworth Regional Gallery, )
  • Rees, M; Anderson, B (2005-01)
    Shed*Light at ARCO International Art Fair Madrid 2005 combined selected material from 'Replica' and 'Remnants' following their Cardiff exhibition (2004) along with a live solo performance by Marc Rees entitled Normal ...
  • Robinson, TM (Artspace, )
    Solo exhibition at Artspace, Sydney Work published in Artspace journal All evidence provided in template to Faculty DAB
  • Roxburgh, MW (Gadfly Media, )
    Our commonest experience of photography is as a record of real things, people and places. We are inundated with an ever increasing volume of photographic images of the real through all forms of visual media. The rate at ...
  • Langham, E; Brennan, T; Downes, J; Fyfe, J; Mohr, SH; White, S (Institute for Sustainable Futures, UTS, 2013-01)
    prepared by the Institute for Sustainable Futures as part of the AEFI consortium for Ausgrid and EnergyAustralia