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  • Goodrum, A (Phaidon, 2007-01)
    &Fork follows the same formula of its successful predecessor Spoon and presents the work of 100 of the world's most interesting product designers to have emerged in the last 5 years.
  • Minnaert, F (Uro, 2012-01)
    The preface examines the historical and ideological background of the team 'Lacoste and Stevenson' which comes from a generation of young European architects whose work has been promoted by the politics of open idea ...
  • Gothe, J (Corangamite Catchment Management Authority, 2003-01)
    Visual Guide A3 two sided colour print format to support an understanding of the assets identified as 'under threat' in the Corangamite region as a consequence of the regional catchment strategy process in order to establish ...
  • Smith, A (Immaterial Incorporated, 2007-01)
    Cabinet Magazine is an influential and highly regarded quarterly journal of art and culture. Published by a small non-profit organisation in Brooklyn, New York, each issue reaches around 40,000 readers (comparable to the ...
  • Burke, AJ; Burns, D
    Curated and Designed exhibition of student and professional work spanning two universities, Carnegie Mellon University, and University of Technology, Sydney.
  • Smith, A (Durian Publications, 2009-01)
    Biennales are no longer merely a question of the artworld, but a question of urbanism. Over the course of the last quarter century they have evolved from pan-national exhibitions of progressive art into indispensible ...
  • Gothe, J (CCMA, NAP - Australia Commonwealth and Victoria Government, 2002-01)
  • Gothe, J; Ireland, DJ (Corangamite Catchment Management Authority (CCMA), 2003-01)
    Web site to support the communication of CCMA Regional Catchment Strategy. Provides linked documents in order to facilitate a deeper understanding of the principles underpinning the process of the development of the CCMA ...
  • Gothe, J; Gwilt, ID (CMAI, )
    Artists from the Centre for Media Arts Innovation (UTS) collaborate around the shared theme of rivers and memory flows. memory Flows is a series of distributed events. the first iteration is produced, distributed and ...
  • Smith, A (The Invisible Inc, 2005-01)
    Critical writing on the Australian arts is notoriously constrained by the limited number of publishing outlets and the small size of the arts community. These two factors, products of a latter-day tyranny of distance, tend ...
  • Rees, M; Anderson, B
    En Residencia was a site responsive project, conceived and curated by Marc Rees and Benedict Anderson. It took place at Laboral, Ciudad de la Cultura, Gijon, Asturias, in Spain from 28 February to 8 March 2009. Laboral’s ...
  • Rees, M; Anderson, B
    En Residencia was a site responsive project, conceived and curated by Marc Rees and Benedict Anderson. It took place at Laboral, Ciudad de la Cultura, Gijon, Asturias, in Spain from 28 February to 8 March 2009. Laboral’s ...
  • Anderson, B; Freundt, M
    The interdisciplinary event, Escalators/ ‘Mobility Visions/ Bewegende Zukunft’, co-curated with Michael Frendt (Associate Director ITI Germany), comprised a program of commissioned performative interventions, media ...
  • Anderson, B; Freundt, M
    The interdisciplinary event, Escalators/ 'Mobility Visions/ Bewegende Zukunft', co-curated with Michael Freundt, comprised a program of commissioned performative interventions, media installations and a symposium (27-28 ...
  • McNeil, PK (National Gallery of Victoria, 2005-01)
    When an object or motif is universal, there is a tendency to trivialize it. This essay makes use of the French scholarly notion of the histoire des choses banales - everyday things - in order to elucidate a collection and ...
  • Smith, A (ArtReview, 2006-01)
    The genre of art and design criticism still revolves around the publication of carefully considered studies of individual practitioners and their work. Such writing inherits conventions and difficulties that are over a ...
  • Mcneil, Peter (China Central Academy of Fine Arts, 2002)
  • Facets 
    Bongers, B (University of Technology, Sydney, )
    Facets is an interactive video installation exploring interfaces between people and technological environment. Kaleidoscopic video images are projected on a 36 sqm. screen placed in the space, linking the player's area ...
  • Clifton-Cunningham Alana (, 2009)
    Background Fashion Craft: drawn threads was aimed to highlight the creative potential of contemporary embroidery and the traditional techniques of the embroiderer. In a partnership with the Embroiderersâ¿¿ Guild of NSW, ...
  • Gwilt, A; Rissanen, TI
    This project explored the issue of fashion and sustainability, specifically the way in which fashion clothing is produced, used and discarded. It highlighted a variety of sustainable strategies that addressed the problem ...