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  • Burns, D (DAB, UTS, )
    Triptych 01, a site-specific object, was exhibited at the DAB LAB Research Gallery I I March - 27 March 2009, Due to the nature of the installation space, Triptych 01 is directly concerned with vision and perception, I ...
  • Jakovich, J; Reinhardt, D; Jung, A; Grainger, P (Tin Sheds Gallery, )
    Trivet Fields is a flexible installation constructed from interlocking modules that host a field of sensors and audio-illuminate displays, acting on a sensate memory system that builds on the interactions from visitors ...
  • Harfield, S (Australian Government Office for Learning and Teaching (OLT), 2012-01)
    Chapter analysing the nature of creativity plus research data relating to issues of criticism within architectural design studio teaching.
  • Twice 
    Robinson, TM (MOP Projects, )
    Craft practice has in recent years been largely absent from contemporary dialogues within art and design. By highlighting the virtuosity of hand skills the work draws attention to the importance of understanding the role ...
  • Titmarsh, M (SNO Contemporary Art Projects, )
    Two person exhibition. My work featured a painting on aluminium and an installation consisting of a round sheet of glass on the floor on which rested, mirror balls and plastic water bottles
  • Titmarsh, M (Metro Arts, Brisbane, )
    An exhibition of three artists working in the area of expanded painting
  • Amati, M; Brack, C; Ghosh, S; Kachenko, A; McManus, P; Shrethsa, K; Wang, M; Yung, W (The Institute of Foresters of Australia, 2013-01)
    Sydney's population is expected to reach 6 million by 2036, with infill development along urban corridors housing many. Eighty percent of Australia's population now live in urban areas which will be affected by peak oil ...
  • Unhomely 
    Richards, K; Gibson, RJ; Seymour, A (ISEA 2013, )
    Unhomely is a site specific work created for ISEA 2013, the 19th International Symposium on Electronic art. The work is situated within the historic Reynolds Cottage in Sydneys The Rocks. As winters dusk encroaches on The ...
  • Untitled 
  • Gwilt, ID (ZeroOne / ISEA International Symposium of Electronic Arts, )
  • Finney, TL (nil, )
    The URBAN FUTURES events were the first major international tour and exhibition of the work and ideas of Diploma Unit 6 from the Architectural Association, London. The contemporary field of architectural production is ...
  • Barker, T (Building Centre, )
    The exhibition piece combined old TV sets and video media to create a city skyline of scale buildings and looked at how digital technology helps us understand and improve the planning and experience of our city. It looked ...
  • Clifton-Cunningham An (Craft Victoria, )
    Background Visible Markings: New Knitting is concerned with the interaction between traditional and contemporary knitting techniques, exploring the knitted form as a kind of âsecond skinâ. Knitting here functions as a ...
  • WA-Fi 
    Burke, Anthony; Rath, Lauren; Henke, Leo (FusedSpace, 2004)
    This competition entry was awarded a nomination out of 800 entries in the prestigious Fusedspace International urban media competition held in 2004. The entry posits new forms of ambient urban information systems using ...
  • Wallen, LP; Reber, H; Krug, F (2006-01)
    Walking in the limits is a homogenic artistic work made of sound, words and space, dealing with the understanding of space and time in a very existential sense: it reflects upon perception and illumines the structures of ...
  • Gothe, J; Steffensen, V; Girault, CJ (TKRP, 2006-01)
    The Traditional Knowledge Revival Pathways (TKRP) is a grassroots indigenous Elder led and co-created project. The project was initiated by Kuku Thaypan Elders from Laura - Tommy George and George Musgrave with Victor ...
  • Wear Now 
    Heffer Cecilia (This is not art., 2007)
  • Riello, G; McNeil, PK (Routledge, 2010-01)
    Fashion, in the age before the mechanical reproduction of objects and images, could only be limited in its reach. Scholars over the last century have discussed, and mostly disagl'eed, on the extent to which fashion inftuenced ...
  • Wallen, LP (V'I kurybines dirbtuves 'BEEpart', )
    Photographs of the desert landscapes on the abandoned embankments of the old Ghan railway line in Central Australia retrace the routes of the settlers of the late 19th century. The images of empty landscapes are both ...
  • Day, MB; Gibson, RJ
    Background Photographic exhibitions traditionally show works on white walls with evenly distributed lighting, with emphasis on the works, not the surrounding environment. `Written with darkness was an exhibition of a ...