Museum of Rumour

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dc.contributor.author Neumark, N
dc.contributor.author Miranda, M
dc.date.accessioned 2010-06-16T05:04:38Z
dc.date.issued 2003-01
dc.identifier.citation Turbulence, etc, 2003
dc.identifier.other M1 en_US
dc.identifier.uri http://hdl.handle.net/10453/12295
dc.description.abstract Research Background Digital networked culture shifted the focus from discrete objects and individuals to networks of communications. Meanwhile new media art's interactivity and approach to archiving remained somewhat static, untouched by theories and practices of performativity and the fictive (at the porous edges between fact and fiction). The potential for spatial audio to be used in an intimate, rather than spectacular way, to disturb and dislocate identity and space also needed development in new media art. Research Question Museum of Rumour is primarily a net.art project, whose 'objects' were networks and flows that spread and leak. This fictive project worked with the imaginary science of 'pataphysics -- a non-sense 'science,' which sits beside and perturbs Science. This work innovatively used a fictive mode and spatial audio to open an important space for a play with identities, including the proliferation of personas and personalities, 'real' and fictive, who appear in the work. It contributed to the development of more complex understanding and practices of archiving and networked interactivity in new media art. Research Significance The significance of this research is demonstrated by the invitations for numerous international internet art festivals and exhibitions of net art work, most notably the prestigious The Blur of the Otherworldly: Technology and the Paranormal, Center for Art and Visual Culture, Baltimore, October, 2005. Its significance is further demonstrated by the selection by Turbulence, the internationally renowned portal for Internet works, for one of their (highly competitive) Studios. The artists were granted a highly competitive stipend to attend and present the work at Trace Symposium. "This is a good-humoured, finely made, altogether eccentric museum that suggests different ways of archiving experience and tracing the lateral paths of memory and association. " Keith Gallasch, "Remapping the World" RealTime59, 2004
dc.publisher Kirkbride Gallery, Net art site selected for Turbulence, Internationally
dc.title Museum of Rumour
dc.parent Turbulence, etc
dc.journal.number en_US
dc.publocation en_US
dc.publocation Australia, Internationally en_US
dc.identifier.startpage en_US
dc.identifier.endpage en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 1905 Visual Arts and Crafts
dc.for 1902 Film, Television and Digital Media
dc.personcode 770016
dc.percentage 50 en_US
dc.classification.name Film, Television and Digital Media en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom Installation and net art site en_US
dc.date.activity 20030101 en_US
dc.location.activity From December 2003 en_US
dc.description.keywords en_US
pubs.embargo.period Not known
pubs.organisational-group /University of Technology Sydney
pubs.organisational-group /University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status Closed Access
utslib.copyright.date 2015-04-15 12:17:09.805752+10
utslib.collection.history Closed (ID: 3) [2015-05-15T14:24:08+10:00]


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