Jorge Luis Borges and Ruben Dario: Art, Politics and Creative Freedom

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Show simple item record Browitt, J
dc.contributor.editor Estela Valverde 2010-07-13T08:47:43Z 2009-01
dc.identifier.citation Jorge Luis Borges, English Literature and Other Inquisitions, 2009, 1, pp. 33 - 56
dc.identifier.isbn 9780646526102
dc.identifier.other B1 en_US
dc.description.abstract In spite of the nineteenth-century style foundational !roping of Dario as 'Liberator', what Borges had come to realise in the intervening years was the fundamental lesson to be learnt about the need for creative freedom, without which art runs the risk of becoming a mere vehicle for ideology. It is also one of the rare occasions where he acknowledges 'originality', relentlessly deconstructed throughout his writing career, and we must therefore take with a grain of salt his evasive, tongue-in-cheek statements about his own lack of creative originality, One suspects that Borges was acutely aware of his originality, but did his utmost to feign humility. While he may have been sceptical towards founding gestures, indeed thematised such positions in, for example, 'Pierre Menard, Author of the Quixote',5 part of his originality clearly lies in the philosophical questioning of the foundational conceits of Western metaphysics, including literature and literary writers' claim to be transparent unto themselves, original unto themselves, when they are shot through with tradition, synthesis and citation: 'Borrowing citations, even entire works, swapping literary paternity, playfully assembling and disassembling texts from the past, arranging them in new perspectives: all this has innovative value for Borges,.6 This essay, then, highlights the shared concern of both Dario and Borges with creative freedom and how this was played out against a historical background of a struggle for cultural hegemony between cultural nationalism and cosmopolitanism within the irnpact of modernity on Latin American literary production.
dc.publisher Southern Highlands Publishers
dc.title Jorge Luis Borges and Ruben Dario: Art, Politics and Creative Freedom
dc.type Chapter
dc.parent Jorge Luis Borges, English Literature and Other Inquisitions
dc.journal.number en_US
dc.publocation Sydney, Australia en_US
dc.identifier.startpage 33 en_US
dc.identifier.endpage 56 en_US FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 2002 Cultural Studies
dc.personcode 040004
dc.percentage 100 en_US Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.edition 1 en_US
dc.custom en_US en_US
dc.location.activity en_US
dc.description.keywords NA en_US
pubs.embargo.period Not known
pubs.organisational-group /University of Technology Sydney
pubs.organisational-group /University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group /University of Technology Sydney/Strength - TransForming Cultures
utslib.copyright.status Closed Access 2015-04-15 12:17:09.805752+10
utslib.collection.history Closed (ID: 3)

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