Canonical iconoclasm : William Shakespeare's Romeo + Juliet

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Show simple item record Cranny-Francis, A 2011-02-07T06:27:52Z 2007-01
dc.identifier.citation Journal of Migration and Society, 2007, 48 (1), pp. 125 - 130
dc.identifier.issn 1449-857X
dc.identifier.other C1UNSUBMIT en_US
dc.description.abstract A brief study of a canonical example of iconoclastic postmodernism in William Shakespeare's Romeo + Juliet is presented. It addresses the issue of authority that exemplifies changing attitudes to contemporary media and textual production.
dc.publisher Australian Teachers of Media
dc.relation.hasversion Accepted manuscript version
dc.title Canonical iconoclasm : William Shakespeare's Romeo + Juliet
dc.type Journal Article
dc.parent Journal of Migration and Society
dc.journal.volume 1
dc.journal.volume 48
dc.journal.number 1 en_US
dc.publocation Australia en_US
dc.identifier.startpage 125 en_US
dc.identifier.endpage 130 en_US FASS.Cultural Studies Group en_US
dc.conference Verified OK en_US
dc.for 1902 Film, Television and Digital Media
dc.personcode 107073
dc.percentage 100 en_US Film, Television and Digital Media en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US en_US
dc.location.activity en_US
dc.description.keywords postmodernism literacy visuality canon en_US
pubs.embargo.period Not known
pubs.organisational-group /University of Technology Sydney
pubs.organisational-group /University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group /University of Technology Sydney/Strength - TransForming Cultures
utslib.copyright.status Open Access 2015-04-15 12:23:47.074767+10
utslib.collection.history Uncategorised (ID: 363)
utslib.collection.history General (ID: 2)

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