Public communication practices in the Web 2.0-3.0 mediascape: The case for PRevolution

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dc.contributor.author Macnamara, J
dc.date.accessioned 2011-02-07T06:27:56Z
dc.date.issued 2010-01
dc.identifier.citation PRism OnLine PR Journal, 2010, 7 (3), pp. 1 - 13
dc.identifier.issn 1448-4404
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/14104
dc.description.abstract An analysis of the use of social media in public relations, particularly focussing on interactive applications in a Web 2.0 and emerging Web 3.0 environment.
dc.publisher Bond University, Faculty of Humanities and Social Sciences
dc.subject Public relations, social media, Web 2.0, Web 3.0
dc.subject Public relations, social media, Web 2.0, Web 3.0
dc.title Public communication practices in the Web 2.0-3.0 mediascape: The case for PRevolution
dc.type Journal Article
dc.parent PRism OnLine PR Journal
dc.journal.volume 3
dc.journal.volume 7
dc.journal.number 3 en_US
dc.publocation Australia en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 13 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 2001 Communication and Media Studies
dc.personcode 996876 en_US
dc.percentage 100 en_US
dc.classification.name Communication and Media Studies en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.location.activity ISI:000275829100005
dc.description.keywords Public relations, social media, Web 2.0, Web 3.0 en_US
dc.description.keywords Rigid rotor, linear/nonlinear bearing, base excitations, mass imbalance, analytical solution
dc.description.keywords Public relations, social media, Web 2.0, Web 3.0
dc.staffid en_US
dc.staffid 996876 en_US
pubs.embargo.period Not known
pubs.organisational-group /University of Technology Sydney
pubs.organisational-group /University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group /University of Technology Sydney/Strength - Creative Practices and the Cultural Economy


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