PROSTHETIC SURFACE – DESIGN MODELS FOR A DYNAMIC ARCHITECTURE

DSpace/Manakin Repository

Search OPUS


Advanced Search

Browse

My Account

Show simple item record

dc.contributor.author Reinhardt, Dagmar.
dc.date.accessioned 2007-10-05T02:05:32Z
dc.date.accessioned 2012-12-15T02:35:06Z
dc.date.available 2007-10-05T02:05:32Z
dc.date.available 2012-12-15T02:35:06Z
dc.date.issued 2007-10-05T02:05:32Z
dc.identifier.uri http://hdl.handle.net/2100/492
dc.identifier.uri http://hdl.handle.net/10453/19681
dc.description.abstract The research investigates strategies of dynamic surface formations in a transfer from sartorial fashion to architecture. ‘Remote Control Dress’ (Hussein Chalayan), ‘Dress becomes Body (Rei Kawakubo) and ‘A-Poc’ (Issey Miyake) are precedents of specific technologies and techniques that produce responsive, performative, or phenomenal dresses. These garments can deliver generative surface methods for an architecture operated through the user. The research frames key parameters (cutting scheme, constructive line, programmatic insertions, and operative field) and their respective characteristics and interrelations in analysis. Thus, principles are derived and channeled into performative design models in a media rotation with a conversion between digital and analogue modeling. The paper discusses the potential of these dynamic design models in a design process that addresses the change capacities of architecture in a shifting cultural and programmatic context. en
dc.format.extent 350073 bytes
dc.format.mimetype application/pdf
dc.language.iso en en
dc.subject dynamic design models en
dc.subject fashion en
dc.subject architecture en
dc.title PROSTHETIC SURFACE – DESIGN MODELS FOR A DYNAMIC ARCHITECTURE en
dc.type Article en
utslib.copyright.status Open Access


Files in this item

This item appears in the following Collection(s)

Show simple item record