A Forest. A Clearing

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dc.contributor.author Gibson, R. J en_US
dc.date.accessioned 2010-05-14T07:48:27Z
dc.date.available 2010-05-14T07:48:27Z
dc.date.created 2010-05-14T07:48:27Z en_US
dc.date.issued 2006
dc.identifier 2005004522 en_US
dc.identifier.citation Gibson, R. 2006, 'A Forest. A Clearing', vol. 2, no. Issue no. 2 2006 en_US
dc.identifier.issn 1833-0533 en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/6593
dc.description.abstract This paper examines the modes of engagement activated when participants are immersed in extra-cinematic, audiovisual art installations. These modes - simultaneously intensely involved and reflectively critical- are shown to be germane to contemporary needs to understand complexity, dynamics and entropy in everyday experience. en_US
dc.publisher National Academy of Screen and Sound en_US
dc.relation.isbasedon http://wwwmcc.murdoch.edu.au/nass/nass_im_ejournal.htm en_US
dc.title A Forest. A Clearing en_US
dc.parent IM Interactive Media en_US
dc.journal.volume 2 en_US
dc.journal.number Issue no. 2 2006 en_US
dc.publocation Murdoch University, Western Australia en_US
dc.identifier.startpage en_US
dc.identifier.endpage en_US
dc.cauo.name Media Arts and Production en_US
dc.for 190203 en_US
utslib.copyright.status Closed Access
utslib.copyright.date 2015-04-15 12:17:09.805752+10

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