Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe

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dc.contributor.author Hurley, AW
dc.date.accessioned 2009-08-20T13:01:49Z
dc.date.issued 2006-01
dc.identifier.citation Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 2006, 8 (1), pp. 3 - 21
dc.identifier.issn 1038-2909
dc.identifier.other C1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/998
dc.description.abstract In late 1966, a group of Indonesian jazz musicians approached the energetic West-German broadcaster, writer and so-called 'jazz pope' Joachim-Ernst Berendt with the proposal that he assist them in mounting a tour of Europe. This tour represented what E. Taylor Atkins, a historian of Japanese jazz, calls a 'strategy of authentication', intended to secure the playing experience these musicians craved (2001: 12). It would be the first time that a group of Indonesian jazzmen perfonned on the international stage. As it transpired, their tour also generated an early instance of proto- 'world music'.
dc.publisher John Libbey & Company
dc.title Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe
dc.type Journal Article
dc.parent Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture
dc.journal.volume 1
dc.journal.volume 8
dc.journal.number 1 en_US
dc.publocation Sydney, Australia en_US
dc.identifier.startpage 3 en_US
dc.identifier.endpage 21 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 2002 Cultural Studies
dc.personcode 102435
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
pubs.embargo.period Not known
pubs.organisational-group /University of Technology Sydney
pubs.organisational-group /University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group /University of Technology Sydney/Strength - TransForming Cultures


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