History in Australian popular culture : 1972-1995

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dc.contributor Morris, Meaghan Elizabeth en_AU
dc.date.accessioned 2007-03-14T01:53:16Z
dc.date.accessioned 2012-12-15T03:52:53Z
dc.date.available 2007-03-14T01:53:16Z
dc.date.available 2012-12-15T03:52:53Z
dc.date.issued 1996
dc.identifier.uri http://hdl.handle.net/2100/310
dc.identifier.uri http://hdl.handle.net/10453/20231
dc.description.abstract As cultural studies has consolidated its claim to constitute a distinct field of study in recent years, debate has intensified about its characteristic objects, concepts and methods, if any, and, therefore, its relationship to traditional disciplines in the Humanities and Social Sciences. In History in Australian Popular Culture 1972-1995, I focus on an intersection of cultural studies with history. However, I do not debate the competing claims of 'history' and 'cultural studies' as academic projects. Rather, I examine the role played by historical discourse in popular cultural practices, and how those practices contest and modify public debate about history; I take 'historical discourse' to include argument about as well as representation of the past, and so to involve a rhetorical dimension of desire and suasive force that varies according to social contexts of usage. Therefore, in this thesis I do cultural studies empirically by asking what people say and do in the name of history in everyday contexts of work and leisure, and what is at stake in public as well as academic 'theoretical' discussion of the meaning and value of history for Australians today. Taking tourism and television ('public culture') as my major research fields, I argue that far from abolishing historical consciousness -- as the 'mass' dimension of popular culture is so often said to do -- these distinct but globally interlocking cultural industries have emerged in Australian conditions as major sites of historical contestation and pedagogy. Tourism and television are, of course, trans-national industries which impact on the living-space (and time) of local communities and blur the national boundaries so often taken to define the coherence of both 'history' and 'culture' in the modern period. I argue, however, that the historical import of these industries includes the use of the social and cultural spaces they make available by people seeking to publicise their own arguments with the past, their criticisms of the present, and their projects for the future; this usage is what I call 'popular culture', and it can include properly historical criticism of the power of tourism and television to disrupt or destroy a particular community's sense of its past. From this it follows that in this thesis I defend cultural studies as a practice which, far from participating in a 'death' or 'killing' of history, is capable of accounting in specific ways for the liveliness of historical debate in Australia today. en_AU
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dc.format.mimetype application/pdf
dc.language en en_AU
dc.language.iso en_AU
dc.publisher University of Technology, Sydney. Department of Writing & Contemporary Cultures en_AU
dc.rights http://www.lib.uts.edu.au/disclaimer.html en_AU
dc.rights Copyright Meaghan Morris en_AU
dc.subject Popular culture. en_AU
dc.subject Australia. en_AU
dc.subject History. en_AU
dc.subject Civilization. en_AU
dc.subject 20th century. en_AU
dc.title History in Australian popular culture : 1972-1995 en_AU
dc.type Thesis (PhD) en_AU
utslib.copyright.status Open Access

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