| Field |
Value |
Language |
|
dc.contributor.author |
Clifton-Cunningham, A
https://orcid.org/0000-0002-8291-6084
|
en_US |
|
dc.contributor.editor |
The Korea Fashion & Culture Association |
en_US |
|
dc.date |
2016-11-16 |
en_US |
|
dc.identifier.citation |
2016 International Fashion Art Biennale |
en_US |
|
dc.identifier.uri |
http://hdl.handle.net/10453/122248
|
|
|
dc.format |
fashion and textile design |
en_US |
|
dc.relation.ispartof |
2016 International Fashion Art Biennale |
en_US |
|
dc.title |
neo_form |
en_US |
|
dc.type |
Exhibition |
|
|
utslib.location |
Seoul, Korea |
en_US |
|
utslib.for |
120306 Textile and Fashion Design |
en_US |
|
pubs.embargo.period |
Not known |
en_US |
|
pubs.organisational-group |
/University of Technology Sydney |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Design, Architecture and Building |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design |
|
|
utslib.copyright.status |
closed_access |
|
|
pubs.consider-herdc |
false |
en_US |
|
pubs.finish-date |
2016-11-23 |
en_US |
|
pubs.place-of-publication |
Seoul, Korea |
en_US |
|
pubs.start-date |
2016-11-16 |
en_US |
|
pubs.rights-statement |
This research is in the field of fashion and textile design. Theoretical and practice-led investigations around the question of female beauty and resulting garment forms, active since the early 1980s, underpin this body of work. Francesca Granata, for example, has recently highlighted such investigations through an examination of the grotesque in the work of designers such as Rei Kawakubo for Comme des Garcons and Georgina Godley. Both designers have disrupted conventional notions through the application of innovative constructed forms. With a specific focus on constructed textiles, this body of work investigates the question of how can knitwear designers disrupt conventional form, from the perspective of shape-changing effects in knitting. The outcome is a knitted garment that uses innovative knitting techniques to challenge established shapes and conventional fashionable silhouettes through the invention of unfamiliar and dislocated forms. The 4th International Fashion Art Biennale in Seoul, 16 to 23 November 2016, hosted by The Korea Fashion and Culture Association, is one of the most noteworthy international exhibitions of fashion framed as art. The Biennale showcased over 100 international artists with the theme 'Fashion and Future' shaping the exhibition. Held at Hangaram Design Museum, Seoul Arts Centre, the exhibition received substantial press and media coverage. My involvement was significant as I was the only Australian invited to participate. |
en_US |
|
pubs.rights-statement |
This research is in the field of fashion and textile design. Theoretical and practice-led investigations around the question of female beauty and resulting garment forms, active since the early 1980s, underpin this body of work. Francesca Granata, for example, has recently highlighted such investigations through an examination of the grotesque in the work of designers such as Rei Kawakubo for Comme des Garçons and Georgina Godley. Both designers have disrupted conventional notions through the application of innovative constructed forms. With a specific focus on constructed textiles, this body of work investigates the question of how knitwear design can disrupt conventional form by amplifying shape-changing effects. An innovative method of 'short row' knitting, developed on a domestic knitting machine combined with industrial materials, was used to create novel forms. The result is a garment that challenges conventional silhouettes through the invention of unfamiliar and dislocated forms. The garment was included in the 4th International Fashion Art Biennale in Seoul, (16-23 November), hosted by The Korea Fashion & Culture Association. My involvement was significant as I was the only Australian invited to participate. (2016 International Fashion Art Biennale in Seoul, (exhib. cat.), The Korea Fashion & Culture Association, Seoul, pp.210-211.) |
en_US |
|
pubs.rights-statement |
This research is in the field of fashion and textile design. Theoretical and practice-led investigations around the question of female beauty and resulting garment forms, active since the early 1980s, underpin this body of work. Francesca Granata, for example, has recently highlighted such investigations through an examination of the grotesque in the work of designers such as Rei Kawakubo for Comme des Garçons and Georgina Godley. Both designers have disrupted conventional notions through the application of innovative constructed forms. With a specific focus on constructed textiles, this body of work investigates the question of how knitwear design can disrupt conventional form by amplifying shape-changing effects. An innovative method of 'short row' knitting, developed on a domestic knitting machine combined with industrial materials, was used to create novel forms. The result is a garment that challenges conventional silhouettes through the invention of unfamiliar and dislocated forms. The garment was included in the 2016 International Fashion Art Biennale in Seoul, (16-23 November), hosted by The Korea Fashion & Culture Association. My involvement was significant as I was the only Australian invited to participate. (2016 International Fashion Art Biennale in Seoul, (exhib. cat.), The Korea Fashion & Culture Association, Seoul, pp.210-211.) |
en_US |
|
pubs.rights-statement |
This research is in the field of fashion and textile design. Theoretical and practice-led investigations around the question of female beauty and resulting garment forms, active since the early 1980s, underpin this body of work. Francesca Granata, for example, has recently highlighted such investigations through an examination of the grotesque in the work of designers such as Rei Kawakubo for Comme des Garçons and Georgina Godley. Both designers have disrupted conventional notions through the application of innovative constructed forms. With a specific focus on constructed textiles, this body of work investigates the question of how knitwear design can disrupt conventional form by amplifying shape-changing effects. An innovative method of 'short row' knitting, developed on a domestic knitting machine combined with industrial materials, was used to create novel forms. The result is a garment that challenges conventional silhouettes through the invention of unfamiliar and dislocated forms. The garment was included in the 2016 International Fashion Art Biennale in Seoul, hosted by The Korea Fashion & Culture Association. My involvement was significant as I was the only Australian invited to participate. Publication: 2016 International Fashion Art Biennale in Seoul, (exhib. cat.), The Korea Fashion & Culture Association, Seoul, pp.210-211. |
en_US |
