Francophonie en Orient - Aux croisements France-Asie (1840-1940)

Kang, M

Francophonie en Orient - Aux croisements France-Asie (1840-1940)

Kang, M

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Publisher:: University of Chicago Press/ Amsterdam University Press
Publication Type:: Book
Citation:: 2018, pp. 1 - 260
Issue Date:: 2018

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Field	Value	Language
dc.contributor.author	Kang, M https://orcid.org/0000-0001-6128-173X	en_US
dc.date.issued	2018	en_US
dc.identifier.citation	2018, pp. 1 - 260	en_US
dc.identifier.isbn	9789462985148	en_US
dc.identifier.uri	http://hdl.handle.net/10453/128345
dc.description.abstract	This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. It raises a number of provocative questions, including whether colonisation is the ultimate requirement for a culture's being defined as francophone, or how to think about francophone literatures that emerge from Asian nations that were historically free from French domination. The ultimate result is a redefining of the Asian francophone heritage according to new, transnational paradigms.	en_US
dc.publisher	University of Chicago Press/ Amsterdam University Press	en_US
dc.relation.isbasedon	10.5117/9789462985148	en_US
dc.title	Francophonie en Orient - Aux croisements France-Asie (1840-1940)	en_US
dc.type	Book
utslib.location	USA	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.for	2003 Language Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of International Studies
utslib.copyright.status	closed_access	*
pubs.consider-herdc	true	en_US
pubs.place-of-publication	USA	en_US
pubs.publication-status	Published	en_US

Abstract:

This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. It raises a number of provocative questions, including whether colonisation is the ultimate requirement for a culture's being defined as francophone, or how to think about francophone literatures that emerge from Asian nations that were historically free from French domination. The ultimate result is a redefining of the Asian francophone heritage according to new, transnational paradigms.

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http://hdl.handle.net/10453/128345