Trigger Happy Visualised

Ilsar, A; Hughes, M

Trigger Happy Visualised

Ilsar, A Hughes, M

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Publisher:: Live audio-visual performance with augmented reality visuals and custom interactive technology
Citation:: 2018
Issue Date:: 2018

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	Computer Rain.mp4	36.49 MB	MP4	View/Open

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Field	Value	Language
dc.contributor.author	Ilsar, A	en_US
dc.contributor.author	Hughes, M	en_US
dc.date.issued	2018	en_US
dc.identifier.citation	2018	en_US
dc.identifier.uri	http://hdl.handle.net/10453/130654
dc.description.abstract	Custom music visualisation software projected onto a scrim is used to present augmented reality `holograms` that are controlled by the performer (Ilsar) in an hour-long music performance. Audio and graphics are manipulated in real-time using a custom gestural instrument the 'AirSticks'. The audience is invited to question the magic of the AirSticks, and the bespoke technology immerses the audience into an imaginary audio-visual world. This work explores the technological categories of augmented reality visualisation and new interfaces for musical expression.	en_US
dc.publisher	Live audio-visual performance with augmented reality visuals and custom interactive technology	en_US
dc.title	Trigger Happy Visualised	en_US
utslib.location	Multiple venues	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Students
utslib.copyright.status	closed_access
pubs.place-of-publication	Multiple venues	en_US

Abstract:

Custom music visualisation software projected onto a scrim is used to present augmented reality `holograms` that are controlled by the performer (Ilsar) in an hour-long music performance. Audio and graphics are manipulated in real-time using a custom gestural instrument the 'AirSticks'. The audience is invited to question the magic of the AirSticks, and the bespoke technology immerses the audience into an imaginary audio-visual world. This work explores the technological categories of augmented reality visualisation and new interfaces for musical expression.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/130654