Audiovisual Discourse in Digital Art

Edmonds, EA; Pauletto, S

Audiovisual Discourse in Digital Art

Edmonds, EA Pauletto, S

Permalink

Publisher:: ACM Press
Publication Type:: Conference Proceeding
Citation:: Siggraph2004: Electronic Art and Animation Catalog, Computer Graphics Annual Conference Series, 2004, 2004, pp. 115 - 118
Issue Date:: 2004-01

Closed Access

	Filename	Description	Size
	2004002009.pdf		1.88 MB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Edmonds, EA	en_US
dc.contributor.author	Pauletto, S	en_US
dc.contributor.editor	Gollinger, S	en_US
dc.date	2004-08-08	en_US
dc.date.issued	2004-01	en_US
dc.identifier.citation	Siggraph2004: Electronic Art and Animation Catalog, Computer Graphics Annual Conference Series, 2004, 2004, pp. 115 - 118	en_US
dc.identifier.isbn	1-58113-919-5	en_US
dc.identifier.uri	http://hdl.handle.net/10453/1428
dc.description.abstract	This paper discusses art systems that employ image and sound as equal elements. This can be called the evolution of the "audiovisual discourse" in art and technology. Recent software for manipulation of audio and visual material is briefly described, and audio/visual digital artworks, developed during an artist-in-residence-based project, are illustrated as examples of contemporary artistic projects concemed with this theme. Different artistic approaches in the use of audioMsuaI systems are identified on the basis of the historical research and the second author's work, as a technologist, in collaboration with the artists participating in the project. Rnally, the role of the computer as audio/visual instrument is discussed.	en_US
dc.publisher	ACM Press	en_US
dc.relation.ispartof	Siggraph2004: Electronic Art and Animation Catalog, Computer Graphics Annual Conference Series, 2004	en_US
dc.relation.ispartof	ACM SIG International Conference on Computer Graphics and Interactive Techniques	en_US
dc.relation.isbasedon	10.1145/1185884.1185991	en_US
dc.rights	© ACM 2004. This is the author's version of the work. It is posted here by permission of ACM for your personal use. Not for redistribution. The definitive version was published in Siggraph2004: Electronic Art and Animation Catalog, Computer Graphics Annual Conference Series, 2004, 2004, pp. 115 - 118 http://doi.acm.org/10.1145/1185884.1185991	en_US
dc.title	Audiovisual Discourse in Digital Art	en_US
dc.type	Conference Proceeding
utslib.location	New York, USA	en_US
utslib.location.activity	LA, USA	en_US
utslib.for	0801 Artificial Intelligence and Image Processing	en_US
dc.location.activity	LA, USA	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	New York, USA	en_US
pubs.start-date	2004-08-08	en_US

Abstract:

This paper discusses art systems that employ image and sound as equal elements. This can be called the evolution of the "audiovisual discourse" in art and technology. Recent software for manipulation of audio and visual material is briefly described, and audio/visual digital artworks, developed during an artist-in-residence-based project, are illustrated as examples of contemporary artistic projects concemed with this theme. Different artistic approaches in the use of audioMsuaI systems are identified on the basis of the historical research and the second author's work, as a technologist, in collaboration with the artists participating in the project. Rnally, the role of the computer as audio/visual instrument is discussed.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/1428