Fake Industries Architectural Agonism as a study case

Grau, U; Goberna Pesudo, C

Fake Industries Architectural Agonism as a study case

Grau, U

Goberna Pesudo, C

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Publisher:: Edicines ICO
Publication Type:: Exhibition
Citation:: EXPORT. Spanish Architecture Abroad / EXPORT: Arquitectura española en el extranjero

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Field	Value	Language
dc.contributor.author	Grau, U https://orcid.org/0000-0003-1906-1615	en_US
dc.contributor.author	Goberna Pesudo, C	en_US
dc.date	2015-02-24	en_US
dc.identifier.citation	EXPORT. Spanish Architecture Abroad / EXPORT: Arquitectura española en el extranjero	en_US
dc.identifier.isbn	978-84-936568-3-6	en_US
dc.identifier.uri	http://hdl.handle.net/10453/41478
dc.identifier.uri	http://hdl.handle.net/10453/41471
dc.description.abstract	The exhibition attempts to describe Spain’s current situation of fleeting professionals under an analytical yet slightly optimistic point of view. In opposition to the classical enumeration and display of specific works of architecture, the exhibition rearranges numbers, statistics and concrete data in order to reveal the modern-day meaning of “working abroad” as something much more complex than actual construction and design practice.	en_US
dc.format	Data and Images	en_US
dc.language	Spanish	en_US
dc.publisher	Edicines ICO	en_US
dc.relation.ispartof	EXPORT. Spanish Architecture Abroad / EXPORT: Arquitectura española en el extranjero	en_US
dc.title	Fake Industries Architectural Agonism as a study case	en_US
dc.type	Exhibition
utslib.location	Museo Fundacion ICO	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.finish-date	2015-05-17	en_US
pubs.place-of-publication	Museo Fundacion ICO	en_US
pubs.start-date	2015-02-24	en_US
pubs.rights-statement	This research is in the field of architectural production. Building on previous exhibitions that used of graphics to translate large amounts of data such as Bruce Mau's "Massive Change" and the work of the graphic designers Two by Four for OMA, EXPORT asked Spanish architects practising abroad to unveil their means of production. Are there any commonalities between all these Spanish practices besides the fact that they all operate from outside the country? The work unveiled common production models and how the 2008 crisis, the generational links and the shared architectural education of these offices were key for their success. This project was founded by the Fundacion ICO and was broadly reviewed in El Pais, http://www.edgargonzalez.com/, http://www.plataformaarquitectura.cl/, http://www.bmiaa.com/ among others.	en_US
pubs.rights-statement	Research Background This research is in the field of architectural production. Building on previous exhibitions that used of graphics to translate large amounts of data such as Bruce Mau's "Massive Change" and the work of the graphic designers Two by Four for OMA, EXPORT asked Spanish architects practising abroad to unveil their means of production. Are there any commonalities between all these Spanish practices besides the fact that they all operate from outside the country? Research Contribution The work unveiled common production models and how the 2008 crisis, the generational links and the shared architectural education of these offices were key for their success. Research Significance This project was founded by the Fundacion ICO and was broadly reviewed in printed media such as El Pais, and digital platforms such as http://www.edgargonzalez.com/, http://www.plataformaarquitectura.cl/ or http://www.bmiaa.com/ among others.	en_US

Abstract:

The exhibition attempts to describe Spain’s current situation of fleeting professionals under an analytical yet slightly optimistic point of view. In opposition to the classical enumeration and display of specific works of architecture, the exhibition rearranges numbers, statistics and concrete data in order to reveal the modern-day meaning of “working abroad” as something much more complex than actual construction and design practice.

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http://hdl.handle.net/10453/41471