He knows at any minute it may be lost in a vertical field # 13

Robinson, TM

He knows at any minute it may be lost in a vertical field # 13

Robinson, TM

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Publication Type:: Exhibition
Citation:: Stockland, 2013
Issue Date:: 2013-12-21

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Field	Value	Language
dc.contributor.author	Robinson, TM https://orcid.org/0000-0002-0209-4771	en_US
dc.contributor.editor	Ron Adams	en_US
dc.contributor.editor	George Adams	en_US
dc.date	2013-12-04	en_US
dc.date.issued	2013-12-21	en_US
dc.identifier.citation	Stockland, 2013	en_US
dc.identifier.uri	http://hdl.handle.net/10453/42240
dc.description.abstract	Site specific sculptural installation	en_US
dc.format	wall mounted sculpture	en_US
dc.relation.ispartof	Stockland	en_US
dc.title	He knows at any minute it may be lost in a vertical field # 13	en_US
dc.type	Exhibition
utslib.location	Galerie Pompom	en_US
utslib.for	1905 Visual Arts and Crafts	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.consider-herdc	false	en_US
pubs.finish-date	2013-12-21	en_US
pubs.place-of-publication	Galerie Pompom	en_US
pubs.start-date	2013-12-04	en_US
pubs.rights-statement	The installation can be situated within an emergent field of cross disciplinary practice between art and design that employs technical and conceptual strategies. More specifically, it can be located alongside design strategies that have arisen in the last decade within the contemporary craft and design that combine conceptual thinking, craft and design and whose processes arise from material based, technical concerns of craft for imaging new possibilities for the designed object. The focus of the project is to isolate and examine particular properties associated with material thinking and embodied engagement. The project takes a phenomenological rather than representational view of the designed object as something that is the subject of potential embodied interaction. Specific design strategies of ambiguationand provocation are utilised to bring into focus particular ways of engaging with and experiencing the art-design object. This particular work focused onsite architectural elements – in this instance a corner beam, integrated into the exhibition space functioning as supports for a single balloon sculpture. The work was selected to be shown as a part of a curated solo show titled Stockland at Galerie Pompom, Sydney, curated by Ron and George Adams.	en_US

Abstract:

Site specific sculptural installation

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/42240