An interview with Damian Wright: Flamenco and the discourse of world music in contemporary Australia

Keogh, B

An interview with Damian Wright: Flamenco and the discourse of world music in contemporary Australia

Keogh, B

Permalink

Publication Type:: Journal Article
Citation:: Perfect Beat, 2016, 17 (1), pp. 71 - 82
Issue Date:: 2016-01-01

Open Access

Copyright Clearance Process

Recently Added
In Progress
Open Access

This item is open access.

Adobe PDF

Download Published VersionAdobe PDF (157.82 kB)

View on publisher's site

View statistics

Full metadata record

Field	Value	Language
dc.contributor.author	Keogh, B https://orcid.org/0000-0002-1975-4924	en_US
dc.date.available	2020-05-25T19:05:18Z
dc.date.issued	2016-01-01	en_US
dc.identifier.citation	Perfect Beat, 2016, 17 (1), pp. 71 - 82	en_US
dc.identifier.issn	1038-2909	en_US
dc.identifier.uri	http://hdl.handle.net/10453/96983
dc.description.abstract	© Equinox Publishing Ltd 2016, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX. In this Riff article, Brent Keogh speaks to Sydney-based flamenco guitarist and ARIA award nominee, Damian Wright. The interview discusses Wright's experiences and perspectives on world music in Australia. Where much of the academic discourse on world music focuses on broader theorization and systemic critiques, the following interview presents experiences and insights from a musician contributing to, and working in, the complex discursive space of world music in Australia. In doing so, Wright's perspectives contribute to broader discussions concerning the politics of otherness, musical patronage and cultural diversity in Australian music.	en_US
dc.relation.ispartof	Perfect Beat	en_US
dc.relation.isbasedon	10.1558/prbt.v17i1.29832	en_US
dc.title	An interview with Damian Wright: Flamenco and the discourse of world music in contemporary Australia	en_US
dc.type	Journal Article
utslib.citation.volume	1	en_US
utslib.citation.volume	17	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
utslib.for	2002 Cultural Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of Communication
utslib.copyright.status	open_access
pubs.issue	1	en_US
pubs.publication-status	Published	en_US
pubs.volume	17	en_US

Abstract:

© Equinox Publishing Ltd 2016, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX. In this Riff article, Brent Keogh speaks to Sydney-based flamenco guitarist and ARIA award nominee, Damian Wright. The interview discusses Wright's experiences and perspectives on world music in Australia. Where much of the academic discourse on world music focuses on broader theorization and systemic critiques, the following interview presents experiences and insights from a musician contributing to, and working in, the complex discursive space of world music in Australia. In doing so, Wright's perspectives contribute to broader discussions concerning the politics of otherness, musical patronage and cultural diversity in Australian music.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/96983