Browsing byAuthorDavison, A
Showing results 1 to 15 of 15
Issue Date | Title | Author(s) |
2020-01-01 | A Darwinian Approach to Postmodern Critical Theory: Or, How Did Bad Ideas Colonise the Academy? | Davison, A |
2016 | Collecting musical prints in late eighteenth-century England: Taste, self-improvement and John Bland's 'portrait series' | Davison, A |
2009-09-01 | The face of a musical genius: Thomas Hardy's portrait of Joseph Haydn | Davison, A |
2014 | Franz Liszt amongst the degenerates: On the vagaries of being a musical genius, c. 1890– c. 1935 | Davison, A |
2021 | Iconography | Davison, A; Cormac, J |
2009-05-01 | The iconography of an émigré musician: Henri-Pierre Danloux's 1795 portrait of Jan Ladislav Dussek | Davison, A |
2017 | John Brown's Dissertation (1763) on Poetry and Music: An Eighteenth-Century View on Music's Role in the Rise and Fall of Civilization | Davison, A; Eisen, C; Davison, A |
2012 | Liszt and Caricatures: The Clarity of Distortion | Davison, A |
- | Multiculturalism, Social Distance and “Islamophobia”: Reflections on Anti-racism Research in Australia and Beyond | Davison, A |
2011 | New light on the painter and engraver Thomas Hardy (1757-1804) | Davison, A |
2011-02-01 | Painting for a Requiem: Mihály Munkácsy's the last moments of Mozart (1885) | Davison, A |
2012 | Portraits of Dussek from London and Paris | Davison, A; Illiano, R; Stewart-MacDonald, R |
2022-11-01 | SMEs and Explainable AI: Australian Case Studies | Wright, E; Zhou, J; Lindsay, D; Przhedetsky, L; Chen, F; Davison, A |
2022 | Technology Enabled Crime : Examining the Role of Cryptocurrency | McCord, A; Birch, P; Davison, A |
2013 | Woven songs and musical mirrors: Dante Gabriel Rossetti's 'symbolic physiognomy' of music | Davison, A |