| Issue Date | Title | Author(s) |
| 2016-05-26 | Considerations when calibrating program material stimuli using LUFS | Ronan, M; Ward, N; Sazdov, R |
| 2011-07-29 | An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques | Lynch, H; Sazdov, R |
| 2011-11-04 | An Ecologically Valid Experiment for the Perceptual Study of Multi-Channel Electroacoustic Music | Sazdov, R; Vande Gorne, A |
| 2016-11-14 | The EU Project ORPHEUS: Object-based Broadcasting – for Next Generation Audio Experiences | Silzle, A; Sazdov, R; Weitnauer, M |
| 2014-01-01 | Factors influencing listener preference for dynamic range compression | Ronan, M; Sazdov, R; Ward, N |
| 2020 | Immerse: Game Engines for Audio-Visual Art in the Future of Ubiquitous Mixed Reality | Hughes, M; Garcia, J; Wilcox, F; Sazdov, R; Johnston, A; Bluff, A |
| 2011-08-12 | The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment | Sazdov, R |
| 2011-08-12 | The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment | Sazdov, R |
| 2011-07-29 | The Influence of Subwoofer Frequencies Within a Multi-Channel Loudspeaker Configuration on The Perception of Spatial Attributes in a Concert-Hall environment | Sazdov, R |
| 2011-06-10 | An Investigation into Compositional techniques Utilized for the Three-Dimensional Spatialization of Electroacoustic Music | Lynch, H; Sazdov, R |
| 2013-01-01 | An investigation into the perception of spatial techniques used in multi-channel electroacoustic music | Lynch, H; Sazdov, R |
| 2015-05-05 | An investigation into the sound quality lexicon of analogue compressors using category analysis | Ronan, M; Ward, N; Sazdov, R |
| 2014-01-01 | Loudness normalisation: Paradigm shift or placebo for the use of hyper-compression in pop music? | Ronan, M; Sazdov, R; Ward, N |
| 2023-10-23 | Measuring the influence of audio on immersive experience in extended reality and digital games: a systematic review | Hedges, J; Sazdov, R; Johnston, A |
| 2024-09-05 | Opening DAWs to Interactive Music - Making an Orchestra
out of Soloists | Ong, Y; Sazdov, R; Johnston, A |
| 2017-07-01 | The perception of hyper-compression by mastering engineers | Ronan, M; Ward, N; Sazdov, R; Lee, H |
| 2016-01-26 | The perception of hyper-compression by untrained listeners | Ronan, M; Ward, N; Sazdov, R |
| 2017-03-01 | A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment | Lynch, H; Sazdov, R |
| - | Sv. Ilija | Sazdov, R |
