Three takes on intercultural film: Michael Edols’ trilogy of aboriginal films: Lalai dreamtime; floating, like wind blow ’em about – this time; and when the snake bites the sun

Hurley, AW

Three takes on intercultural film: Michael Edols’ trilogy of aboriginal films: Lalai dreamtime; floating, like wind blow ’em about – this time; and when the snake bites the sun

Hurley, AW

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Publication Type:: Journal Article
Citation:: Studies in Australasian Cinema, 2008, 2 (1), pp. 73 - 93
Issue Date:: 2008-01-01

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Field	Value	Language
dc.contributor.author	Hurley, AW https://orcid.org/0000-0001-6717-3537	en_US
dc.date.issued	2008-01-01	en_US
dc.identifier.citation	Studies in Australasian Cinema, 2008, 2 (1), pp. 73 - 93	en_US
dc.identifier.issn	1750-3175	en_US
dc.identifier.uri	http://hdl.handle.net/10453/10563
dc.description.abstract	This article examines the innovative film-making approaches taken in Michael Edols’ three films (Lalai Dreamtime; Floating, Like Wind Blow ’em About – This Time; and When the Snake Bites the Sun), profiles their political, critical and popular reception (including amongst Aboriginal people – and analyses the insights they afford into the disciplines of film-making, ethnography and into broader questions of intercultural dialogue. At a time of increased media and political interest in the plight of Aboriginal people in remote communities, they also contribute to our knowledge of the history of one such community. © Intellect Ltd 2008.	en_US
dc.relation.ispartof	Studies in Australasian Cinema	en_US
dc.relation.isbasedon	10.1386/sac.2.1.73_1	en_US
dc.title	Three takes on intercultural film: Michael Edols’ trilogy of aboriginal films: Lalai dreamtime; floating, like wind blow ’em about – this time; and when the snake bites the sun	en_US
dc.type	Journal Article
utslib.citation.volume	1	en_US
utslib.citation.volume	2	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.for	2005 Literary Studies	en_US
dc.location.activity	La Palma, Canary Islands
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.issue	1	en_US
pubs.publication-status	Published	en_US
pubs.volume	2	en_US

Abstract:

This article examines the innovative film-making approaches taken in Michael Edols’ three films (Lalai Dreamtime; Floating, Like Wind Blow ’em About – This Time; and When the Snake Bites the Sun), profiles their political, critical and popular reception (including amongst Aboriginal people – and analyses the insights they afford into the disciplines of film-making, ethnography and into broader questions of intercultural dialogue. At a time of increased media and political interest in the plight of Aboriginal people in remote communities, they also contribute to our knowledge of the history of one such community. © Intellect Ltd 2008.

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http://hdl.handle.net/10453/10563