Understanding the experience of interactive art: Iamascope in Beta_space

Costello, BM; Muller, E; Amitani, S; Edmonds, EA

Understanding the experience of interactive art: Iamascope in Beta_space

Costello, BM Muller, E Amitani, S Edmonds, EA

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Publisher:: Creativity and Cognition Studios Press
Publication Type:: Conference Proceeding
Citation:: Proceedings of the second Australasian conference on Interactive entertainment, 2005, 123 pp. 49 - 56
Issue Date:: 2005-01

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Field	Value	Language
dc.contributor.author	Costello, BM	en_US
dc.contributor.author	Muller, E	en_US
dc.contributor.author	Amitani, S	en_US
dc.contributor.author	Edmonds, EA	en_US
dc.contributor.editor	Pisan Yusuf	en_US
dc.date	2005-11-23	en_US
dc.date.issued	2005-01	en_US
dc.identifier.citation	Proceedings of the second Australasian conference on Interactive entertainment, 2005, 123 pp. 49 - 56	en_US
dc.identifier.isbn	0-9751533-2-3	en_US
dc.identifier.uri	http://hdl.handle.net/10453/11518
dc.description.abstract	This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been proposed by its artist Sidney Fels. The video-cued recall method we employed was shown to reveal rich detail about situated interactive art experience. The results provide a detailed account of how the categories of embodiment manifest themselves in audience experience and lead to the proposal of a blueprint for the trajectory of interaction produced by Iamascope which may be generalisable to other interactive artworks.	en_US
dc.publisher	Creativity and Cognition Studios Press	en_US
dc.relation.ispartof	Proceedings of the second Australasian conference on Interactive entertainment	en_US
dc.relation.ispartof	Interactive Entertainment	en_US
dc.title	Understanding the experience of interactive art: Iamascope in Beta_space	en_US
dc.type	Conference Proceeding
utslib.citation.volume	123	en_US
utslib.location	Sydney, Australia	en_US
utslib.location.activity	Sydney, Australia	en_US
utslib.for	0899 Other Information and Computing Sciences	en_US
dc.location.activity	Sydney, Australia	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Systems, Management and Leadership
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	open_access
pubs.consider-herdc	false	en_US
pubs.place-of-publication	Sydney, Australia	en_US
pubs.start-date	2005-11-23	en_US
pubs.volume	123	en_US

Abstract:

This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been proposed by its artist Sidney Fels. The video-cued recall method we employed was shown to reveal rich detail about situated interactive art experience. The results provide a detailed account of how the categories of embodiment manifest themselves in audience experience and lead to the proposal of a blueprint for the trajectory of interaction produced by Iamascope which may be generalisable to other interactive artworks.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/11518