Interactive Experience, Art and Evaluation

Candy, L; Ferguson, S

Interactive Experience, Art and Evaluation

Candy, L Ferguson, S

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Publication Type:: Chapter
Citation:: Springer Series on Cultural Computing, 2014, pp. 1 - 10
Issue Date:: 2014-01-01

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Field	Value	Language
dc.contributor.author	Candy, L	en_US
dc.contributor.author	Ferguson, S https://orcid.org/0000-0003-1853-3000	en_US
dc.date.issued	2014-01-01	en_US
dc.identifier.citation	Springer Series on Cultural Computing, 2014, pp. 1 - 10	en_US
dc.identifier.uri	http://hdl.handle.net/10453/118301
dc.description.abstract	© 2014, Springer International Publishing Switzerland. Art in the early twenty-first century is increasingly an interactive experience that is shared with others and in public. The use of digital technology in the arts has been used to transform the viewer into a participant and is similarly starting to transform our expectations of the experience of art. From visual and sound art to performance and gaming, the boundaries of what is possible for creativity, curatorial design, performance and exhibition are continually extending and, as a consequence, propelling the practitioners involved to examine and evaluate their practices and products as contributions to a greater understanding of the nature of interactive experience. This book, Interactive Experience in the Digital Age, explores the development of interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative processes. Many of the interactive art system developments and the methodologies presented are relevant to the wider concerns of Human Computer Interaction as well as within the Digital Arts community. Contributors have been informed by research methods from several disciplines and have adapted them in novel ways in order to develop new strategies and techniques for assessing the experience of interactive art. With contributions from artists, curators, designers, business entrepreneurs, technologists and scientists engaged in the creative arts, this book is intended to inform, inspire and stimulate other researchers and practitioners to explore further the novel and challenging developments taking place in this field.	en_US
dc.relation.ispartof	Springer Series on Cultural Computing	en_US
dc.relation.isbasedon	10.1007/978-3-319-04510-8_1	en_US
dc.title	Interactive Experience, Art and Evaluation	en_US
dc.type	Chapter
utslib.for	080602 Computer-Human Interaction	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.publication-status	Published	en_US

Abstract:

© 2014, Springer International Publishing Switzerland. Art in the early twenty-first century is increasingly an interactive experience that is shared with others and in public. The use of digital technology in the arts has been used to transform the viewer into a participant and is similarly starting to transform our expectations of the experience of art. From visual and sound art to performance and gaming, the boundaries of what is possible for creativity, curatorial design, performance and exhibition are continually extending and, as a consequence, propelling the practitioners involved to examine and evaluate their practices and products as contributions to a greater understanding of the nature of interactive experience. This book, Interactive Experience in the Digital Age, explores the development of interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative processes. Many of the interactive art system developments and the methodologies presented are relevant to the wider concerns of Human Computer Interaction as well as within the Digital Arts community. Contributors have been informed by research methods from several disciplines and have adapted them in novel ways in order to develop new strategies and techniques for assessing the experience of interactive art. With contributions from artists, curators, designers, business entrepreneurs, technologists and scientists engaged in the creative arts, this book is intended to inform, inspire and stimulate other researchers and practitioners to explore further the novel and challenging developments taking place in this field.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/118301