Lindsay (For Those Who Don't Have The Time)

Munt, AC; Harvey, J

Lindsay (For Those Who Don't Have The Time)

Munt, AC Harvey, J

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Publisher:: Sydney Underground Film Festival
Citation:: LSD Shorts: Sydney Underground Film Festival, 2014
Issue Date:: 2014

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	Filename	Description	Size
	LINDSAY (For Those Who Don't Have The Time).mp4	Published version	303.16 MB	MP4	View/Open

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Field	Value	Language
dc.contributor.author	Munt, AC	en_US
dc.contributor.author	Harvey, J https://orcid.org/0000-0002-7467-1187	en_US
dc.date.issued	2014	en_US
dc.identifier.citation	LSD Shorts: Sydney Underground Film Festival, 2014	en_US
dc.identifier.uri	http://hdl.handle.net/10453/121672
dc.description.abstract	Experimental Film	en_US
dc.format	Moving Image	en_US
dc.publisher	Sydney Underground Film Festival	en_US
dc.relation.ispartof	LSD Shorts: Sydney Underground Film Festival	en_US
dc.title	Lindsay (For Those Who Don't Have The Time)	en_US
utslib.location	Sydney Underground Film Festival	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/FASS Faculty Administration
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Sydney Underground Film Festival	en_US
pubs.rights-statement	LINDSAY is a short experimental film that revisits the Structural Film movement in the age of Reality TV. Research Background. This research is in the field of Film, TV and Digital Media. In 1967 filmmaker Michael Snow completed ‘Wavelength’ which takes the form of a 45-minute camera zoom from one side of a New York SoHo loft apartment to the other. He discovered the power of cinematic apparatus over notions of narrative or representation. Experimental film theorist P. Adams Sitney coined the term Structural Film to explain the interaction between the filmic apparatus and cultural notions of space and time. In the 1990s media theorists Bolter and Grusin showed that contemporary media forms are remediated by earlier models. This project asks: in which ways has Reality TV today been remediated by historical models of experimental and non-mainstream film? Research Contribution. LINDSAY demonstrates that the legacy of Structural Film finds a new domain in contemporary modes of Reality TV. It finds parallels in relation to screen duration, boredom, frustration and non-narrative based moments of intrigue. Popular forms of screen entertainment remediate experimental film aesthetics to produce related screen spectatorship and audience experiences. Research Significance LINDSAY was screened at the 2014 Sydney Underground Film Festival.	en_US

Abstract:

Experimental Film

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http://hdl.handle.net/10453/121672