Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios

Bown, O; Loke, L; Ferguson, SJ; Reinhardt, D

Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios

Bown, O Loke, L Ferguson, SJ

Reinhardt, D

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Publisher:: ISEA
Publication Type:: Conference Proceeding
Citation:: http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/, 2015
Issue Date:: 2015-08-14

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Field	Value	Language
dc.contributor.author	Bown, O	en_US
dc.contributor.author	Loke, L	en_US
dc.contributor.author	Ferguson, SJ https://orcid.org/0000-0003-1853-3000	en_US
dc.contributor.author	Reinhardt, D	en_US
dc.contributor.editor	Schiphorst, T	en_US
dc.contributor.editor	Pasquier, P	en_US
dc.date	2015-08-14	en_US
dc.date.issued	2015-08-14	en_US
dc.identifier.citation	http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/, 2015	en_US
dc.identifier.isbn	9781910172001	en_US
dc.identifier.issn	2451-8611	en_US
dc.identifier.uri	http://hdl.handle.net/10453/122683
dc.description.abstract	With the rise of ubiquitous computing, comes new possibilities for experiencing audio, visual and tactile media in distributed and situated forms, disrupting modes of media experience that have been relatively stable for decades. We present the Distributed Interactive Audio Devices (DIADs) project, a set of experimental interventions to explore future ubiquitous computing design spaces in which electronic sound is presented as distributed, interactive and portable. The DIAD system is intended for creative sound and music performance and interaction, yet it does not conform to traditional concepts of musical performance, suggesting instead a fusion of music performance and other forms of collaborative digital interaction. We describe the thinking behind the project, the state of the DIAD system’s technical development, and our experiences working with userinteraction in lab-based and public performance scenarios.	en_US
dc.publisher	ISEA	en_US
dc.relation.ispartof	http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/	en_US
dc.relation.ispartof	International Symposium on Electronic Art	en_US
dc.title	Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios	en_US
dc.type	Conference Proceeding
utslib.location.activity	Vancouver, Canada	en_US
utslib.for	1203 Design Practice and Management	en_US
utslib.for	120304 Digital and Interaction Design	en_US
utslib.for	080602 Computer-Human Interaction	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.finish-date	2015-08-19	en_US
pubs.publication-status	Published	en_US
pubs.start-date	2015-08-14	en_US

Abstract:

With the rise of ubiquitous computing, comes new possibilities for experiencing audio, visual and tactile media in distributed and situated forms, disrupting modes of media experience that have been relatively stable for decades. We present the Distributed Interactive Audio Devices (DIADs) project, a set of experimental interventions to explore future ubiquitous computing design spaces in which electronic sound is presented as distributed, interactive and portable. The DIAD system is intended for creative sound and music performance and interaction, yet it does not conform to traditional concepts of musical performance, suggesting instead a fusion of music performance and other forms of collaborative digital interaction. We describe the thinking behind the project, the state of the DIAD system’s technical development, and our experiences working with userinteraction in lab-based and public performance scenarios.

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http://hdl.handle.net/10453/122683