Tide-Etched Sand Spirals

Beilharz, KA

Tide-Etched Sand Spirals

Beilharz, KA

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Publisher:: Australian Music Centre
Citation:: Australian Music Centre Library, 2005
Issue Date:: 2005-01

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Field	Value	Language
dc.contributor.author	Beilharz, KA	en_US
dc.date.issued	2005-01	en_US
dc.identifier.citation	Australian Music Centre Library, 2005	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12291
dc.description.abstract	Background This piece is for solo bassoon and ensemble composed and submitted for the Colloque du Basson International Bassoon Colloquium composition competition. Contribution - Contemporary repertoire for solo bassoon and ensemble are extremely rare. The rationale for the call for scores and composition competition was to generate new compositions for the solo bassoon in a contemporary and extended technique idiom suitable for professional performance and competition. Significance This work was an equal 2nd prize Highly Commended work in an international competition, one of six finalists selected worldwide from a competition attracting over 300 entries, indicating the international standing and competitiveness of the composer. It is a substantial (15 minute's duration) chamber work for solo instrument and chamber ensemble.	en_US
dc.publisher	Australian Music Centre	en_US
dc.relation.ispartof	Australian Music Centre Library	en_US
dc.title	Tide-Etched Sand Spirals	en_US
utslib.location	Sydney, Australia	en_US
utslib.for	120302 Design Innovation	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
utslib.copyright.status	closed_access
pubs.place-of-publication	Sydney, Australia	en_US

Abstract:

Background This piece is for solo bassoon and ensemble composed and submitted for the Colloque du Basson International Bassoon Colloquium composition competition. Contribution - Contemporary repertoire for solo bassoon and ensemble are extremely rare. The rationale for the call for scores and composition competition was to generate new compositions for the solo bassoon in a contemporary and extended technique idiom suitable for professional performance and competition. Significance This work was an equal 2nd prize Highly Commended work in an international competition, one of six finalists selected worldwide from a competition attracting over 300 entries, indicating the international standing and competitiveness of the composer. It is a substantial (15 minute's duration) chamber work for solo instrument and chamber ensemble.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/12291