Five Imaginary Drugs (multi channel video)

Caines, C

Five Imaginary Drugs (multi channel video)

Permalink

Publisher:: Arte Neuvo Interactiva
Publication Type:: Exhibition
Citation:: Interactiva 03 Biennale for New Media Art

Closed Access

	Filename	Description	Size
	2009003120OK.pdf		420.99 kB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Caines, C https://orcid.org/0000-0002-7052-2731	en_US
dc.contributor.editor	Ferrera-Balanquet, RM	en_US
dc.date	2003-07-11	en_US
dc.identifier.citation	Interactiva 03 Biennale for New Media Art	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12299
dc.description.abstract	Background - My inclusion in this Biennale was facilitated by the Cuban curator Raul Moarquech Ferrera-Balanquet whom I met in 2001 while doing an Asialink residency at Chulalongkorn University in Bangkok. When he asked me to contribute a new video work to this exhibition he was interested in me continuing to develop the video as text pieces I was developing on residency in Thailand. I ended up producing Five Imaginary Drugs as a five screen video work of animated video texts for the show as a spatialization of this form of expanded cinema. Contribution - Five Imaginary Drugs builds on traditions of both expanded cinema, experimental writing and concrete poetry to create new forms where text read in parallel create hybrid and associative meanings between video streams. The de-emphasis of the image track enables the text to be read as a multilinear narrative. Significance - Interactiva 03 was for the time a landmark exhibition in the de-centring of new media and digital art histories from the Europe-America axis that had almost exclusively held sway.	en_US
dc.publisher	Arte Neuvo Interactiva	en_US
dc.relation.ispartof	Interactiva 03 Biennale for New Media Art	en_US
dc.title	Five Imaginary Drugs (multi channel video)	en_US
dc.type	Exhibition
utslib.location	Merida Museum of Contemporary Art, Mexico	en_US
utslib.location.activity	http://rhizome.org/discuss/view/9749 (widely online)	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
utslib.for	190402 Creative Writing (incl. Playwriting)	en_US
dc.location.activity	http://rhizome.org/discuss/view/9749 (widely online)	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Strength - CPCE - Centre for Creative Practices and the Cultural Economy
utslib.copyright.status	closed_access
pubs.place-of-publication	Merida Museum of Contemporary Art, Mexico	en_US
pubs.start-date	2003-07-11	en_US

Abstract:

Background - My inclusion in this Biennale was facilitated by the Cuban curator Raul Moarquech Ferrera-Balanquet whom I met in 2001 while doing an Asialink residency at Chulalongkorn University in Bangkok. When he asked me to contribute a new video work to this exhibition he was interested in me continuing to develop the video as text pieces I was developing on residency in Thailand. I ended up producing Five Imaginary Drugs as a five screen video work of animated video texts for the show as a spatialization of this form of expanded cinema. Contribution - Five Imaginary Drugs builds on traditions of both expanded cinema, experimental writing and concrete poetry to create new forms where text read in parallel create hybrid and associative meanings between video streams. The de-emphasis of the image track enables the text to be read as a multilinear narrative. Significance - Interactiva 03 was for the time a landmark exhibition in the de-centring of new media and digital art histories from the Europe-America axis that had almost exclusively held sway.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/12299