Conversational interaction in interactive dance works

Johnston, A

Conversational interaction in interactive dance works

Johnston, A

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Publication Type:: Journal Article
Citation:: Leonardo, 2015, 48 (3), pp. 296 - 297
Issue Date:: 2015-01-01

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Field	Value	Language
dc.contributor.author	Johnston, A https://orcid.org/0000-0001-8306-7507	en_US
dc.date.issued	2015-01-01	en_US
dc.identifier.citation	Leonardo, 2015, 48 (3), pp. 296 - 297	en_US
dc.identifier.issn	0024-094X	en_US
dc.identifier.uri	http://hdl.handle.net/10453/123088
dc.description.abstract	© 2015 ISAST. This paper describes an interactive dance/physical theatre work entitled Encoded, which made use of motion capture techniques and realtime fluid simulations to create systems intended to support, stimulate and augment live performance. Preliminary findings from a qualitative study of performers' experiences with the system raise a number of issues, including the challenges of creating theatrical meaning with interactive systems, using Contact Improvisation as a metaphor for engaging creative systems, and the impact that large-scale projections can have on performers' engagement.	en_US
dc.relation.ispartof	Leonardo	en_US
dc.relation.isbasedon	10.1162/LEON_a_01017	en_US
dc.subject.classification	Art Practice, History & Theory	en_US
dc.title	Conversational interaction in interactive dance works	en_US
dc.type	Journal Article
utslib.citation.volume	3	en_US
utslib.citation.volume	48	en_US
utslib.for	080602 Computer-Human Interaction	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	open_access
pubs.issue	3	en_US
pubs.publication-status	Published	en_US
pubs.volume	48	en_US

Abstract:

© 2015 ISAST. This paper describes an interactive dance/physical theatre work entitled Encoded, which made use of motion capture techniques and realtime fluid simulations to create systems intended to support, stimulate and augment live performance. Preliminary findings from a qualitative study of performers' experiences with the system raise a number of issues, including the challenges of creating theatrical meaning with interactive systems, using Contact Improvisation as a metaphor for engaging creative systems, and the impact that large-scale projections can have on performers' engagement.

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http://hdl.handle.net/10453/123088