The Hundredth Room

Gibson, SC

The Hundredth Room

Gibson, SC

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Publisher:: Ronin Films
Citation:: The Hundredth Room, 2005
Issue Date:: 2005-01

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Field	Value	Language
dc.contributor.author	Gibson, SC	en_US
dc.date.issued	2005-01	en_US
dc.identifier.citation	The Hundredth Room, 2005	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12369
dc.description.abstract	Background The Hundredth Room is a 20 minute essay documentary that explores the experience of grief. Contribution Sarah Gibson is the researcher, writer, director and narrator of the documentary and contributor of original paintings and animated sequences to the poetic visualization of the work. Significance The Hundredth Room makes an original contribution to the field of documentary production. In particular it innovates with the genre of the essay documentary in particular mixing animation and live action. In 2003 it received $80,000 in a competitive funding round of the Australian Film Commission. The film was screened nationally and internationally including The Buddhist Film Festival, 2004; Mardi Gras Film Festival, 2005 and at the Electric Shadows Cinema, Canberra in 2005. It was selected by the Australian Film Commission to be represented in the Manchester Commonwealth Film Festival in 2006. The Hundredth Room makes an original contribution to the field of research into the psychology of grief, in particular the way in which expressing the emotions of grief can be transformative for the individual. Sarah was a keynote speaker screening the film at the NSW Palliative Care Conference, Orange, 2006 and has been invited to present the film at palliative care seminars at hospitals and in the community. Evidence of the contribution of the film to the field is its wide use by psychologists, grief counselors and pastoral care workers. In 2006 Sarah presented the film and a paper The Hundredth Room: The Mytho-poetics of Grief at a multidisciplinary conference of Jungian and Post Jungian Studies at University of Greenwich, London.	en_US
dc.language	English	en_US
dc.publisher	Ronin Films	en_US
dc.relation.ispartof	The Hundredth Room	en_US
dc.title	The Hundredth Room	en_US
utslib.location	Australia	en_US
utslib.for	190204 Film and Television	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of Communication
utslib.copyright.status	closed_access
pubs.place-of-publication	Australia	en_US

Abstract:

Background The Hundredth Room is a 20 minute essay documentary that explores the experience of grief. Contribution Sarah Gibson is the researcher, writer, director and narrator of the documentary and contributor of original paintings and animated sequences to the poetic visualization of the work. Significance The Hundredth Room makes an original contribution to the field of documentary production. In particular it innovates with the genre of the essay documentary in particular mixing animation and live action. In 2003 it received $80,000 in a competitive funding round of the Australian Film Commission. The film was screened nationally and internationally including The Buddhist Film Festival, 2004; Mardi Gras Film Festival, 2005 and at the Electric Shadows Cinema, Canberra in 2005. It was selected by the Australian Film Commission to be represented in the Manchester Commonwealth Film Festival in 2006. The Hundredth Room makes an original contribution to the field of research into the psychology of grief, in particular the way in which expressing the emotions of grief can be transformative for the individual. Sarah was a keynote speaker screening the film at the NSW Palliative Care Conference, Orange, 2006 and has been invited to present the film at palliative care seminars at hospitals and in the community. Evidence of the contribution of the film to the field is its wide use by psychologists, grief counselors and pastoral care workers. In 2006 Sarah presented the film and a paper The Hundredth Room: The Mytho-poetics of Grief at a multidisciplinary conference of Jungian and Post Jungian Studies at University of Greenwich, London.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/12369