Water, image, gesture and sound: composing and performing an interactive audiovisual work

Walsh, L; Bluff, A; Johnston, A

Water, image, gesture and sound: composing and performing an interactive audiovisual work

Walsh, L

Bluff, A

Johnston, A

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Publication Type:: Journal Article
Citation:: Digital Creativity, 2017, 28 (3), pp. 177 - 195
Issue Date:: 2017-07-03

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Field	Value	Language
dc.contributor.author	Walsh, L https://orcid.org/0000-0002-2600-2958	en_US
dc.contributor.author	Bluff, A https://orcid.org/0000-0003-3215-279X	en_US
dc.contributor.author	Johnston, A https://orcid.org/0000-0001-8306-7507	en_US
dc.date.available	2020-05-25T19:04:11Z
dc.date.issued	2017-07-03	en_US
dc.identifier.citation	Digital Creativity, 2017, 28 (3), pp. 177 - 195	en_US
dc.identifier.issn	1462-6268	en_US
dc.identifier.uri	http://hdl.handle.net/10453/124034
dc.description.abstract	© 2017 Informa UK Limited, trading as Taylor & Francis Group. Performing and composing for interactive audiovisual system presents many challenges to the performer. Working with visual, sonic and gestural components requires new skills and new ways of thinking about performance. However, there are few studies that focus on performer experience with interactive systems. We present the work Blue Space for oboe and interactive audiovisual system, highlighting the evolving process of the collaborative development of the work. We consider how musical and technical demands interact in this process, and outline the challenges of performing with interactive systems. Using the development of Blue Space as a self-reflective case study, we examine the role of gestures in interactive audiovisual works and identify new modes of performance.	en_US
dc.relation.ispartof	Digital Creativity	en_US
dc.relation.isbasedon	10.1080/14626268.2017.1353524	en_US
dc.subject.classification	Music	en_US
dc.title	Water, image, gesture and sound: composing and performing an interactive audiovisual work	en_US
dc.type	Journal Article
utslib.citation.volume	3	en_US
utslib.citation.volume	28	en_US
utslib.for	0801 Artificial Intelligence and Image Processing	en_US
utslib.for	1203 Design Practice and Management	en_US
utslib.for	1901 Art Theory and Criticism	en_US
utslib.for	08 Information and Computing Sciences	en_US
utslib.for	12 Built Environment and Design	en_US
utslib.for	19 Studies in Creative Arts and Writing	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
pubs.organisational-group	/University of Technology Sydney/Students
utslib.copyright.status	open_access
pubs.issue	3	en_US
pubs.publication-status	Published	en_US
pubs.volume	28	en_US

Abstract:

© 2017 Informa UK Limited, trading as Taylor & Francis Group. Performing and composing for interactive audiovisual system presents many challenges to the performer. Working with visual, sonic and gestural components requires new skills and new ways of thinking about performance. However, there are few studies that focus on performer experience with interactive systems. We present the work Blue Space for oboe and interactive audiovisual system, highlighting the evolving process of the collaborative development of the work. We consider how musical and technical demands interact in this process, and outline the challenges of performing with interactive systems. Using the development of Blue Space as a self-reflective case study, we examine the role of gestures in interactive audiovisual works and identify new modes of performance.

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http://hdl.handle.net/10453/124034