On New Constructs in Art: Structure, Time, Correspondences and Interaction

Edmonds, EA

On New Constructs in Art: Structure, Time, Correspondences and Interaction

Edmonds, EA

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Publisher:: British Computer Society
Publication Type:: Conference Proceeding
Citation:: EVA London 2009 - Electronic Visualisation and the Arts, 2009, pp. 107 - 116
Issue Date:: 2009-01

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Field	Value	Language
dc.contributor.author	Edmonds, EA	en_US
dc.contributor.editor	Seal, AEA	en_US
dc.date	2009-07-06	en_US
dc.date.issued	2009-01	en_US
dc.identifier.citation	EVA London 2009 - Electronic Visualisation and the Arts, 2009, pp. 107 - 116	en_US
dc.identifier.isbn	978-1-906124-17-5	en_US
dc.identifier.uri	http://hdl.handle.net/10453/12623
dc.description.abstract	The paper provides a personal view of the implications of compntational concepts and technologies on art practice. It draws upon 40 years of such practice by the author, As the title implies, the paper concentrates on the themes of structure within the artwork, time-based art, correspondences between different media that the computer enables, and interaction with the audience. The paper draws a line from Malevich to present day art employing computation.	en_US
dc.publisher	British Computer Society	en_US
dc.relation.ispartof	EVA London 2009 - Electronic Visualisation and the Arts	en_US
dc.relation.ispartof	Electronic Visualisation and the Arts	en_US
dc.title	On New Constructs in Art: Structure, Time, Correspondences and Interaction	en_US
dc.type	Conference Proceeding
utslib.location	London, UK	en_US
utslib.location.activity	London, UK	en_US
utslib.for	2001 Communication and Media Studies	en_US
utslib.for	190205 Interactive Media	en_US
dc.location.activity	London, UK	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	London, UK	en_US
pubs.start-date	2009-07-06	en_US

Abstract:

The paper provides a personal view of the implications of compntational concepts and technologies on art practice. It draws upon 40 years of such practice by the author, As the title implies, the paper concentrates on the themes of structure within the artwork, time-based art, correspondences between different media that the computer enables, and interaction with the audience. The paper draws a line from Malevich to present day art employing computation.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/12623