In and Out: Processes of Inclusion and Exclusion in Joachim Ernst Berendt's Jazzbuch, or Towards the Biography of a Book

Hurley, AW

In and Out: Processes of Inclusion and Exclusion in Joachim Ernst Berendt's Jazzbuch, or Towards the Biography of a Book

Hurley, AW

Permalink

Publisher:: Wolke Verlag
Publication Type:: Chapter
Citation:: Jazz & 100 An Alternative to a Story of Heroes, 2018, pp. 91 - 110
Issue Date:: 2018-10-17

Closed Access

	Filename	Description	Size
	HurleyJazz@100.pdf	Published version	1.59 MB	Adobe PDF	View/Open
	06_Andrew_Hurley_WK_AWH.docx	Accepted Manuscript version	910.76 kB	Microsoft Word XML	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Hurley, AW https://orcid.org/0000-0001-6717-3537	en_US
dc.contributor.editor	Knauer, W	en_US
dc.date.issued	2018-10-17	en_US
dc.identifier.citation	Jazz & 100 An Alternative to a Story of Heroes, 2018, pp. 91 - 110	en_US
dc.identifier.isbn	3955930157	en_US
dc.identifier.isbn	9783955930158	en_US
dc.identifier.uri	http://hdl.handle.net/10453/128420
dc.description.abstract	In 1953 a book was born. Its sole parent, although there were various midwives, was given as Joachim Ernst Berendt (1922-2000), a broadcaster, journalist and producer, a man who came to be revered and reviled as Germany's so-called "jazz pope". In 1989 after the pope had retired from his day job at the Sudwestfunk public radio station and from the jazz community, and further settled into his role as New Age writer, the book gained an additional (step)father, Gunther Huesmann, who had already assisted less formally on the previous (1981) edition. After Berendt's death in 2000, the stepfather became sole adoptive parent. Over the years, the book grew in all sorts of different measures, and at the time that I am writing this, it would be 64 years old. Well known, certainly. Approaching retirement age, maybe. But what sort of character has this book had? Whom has it liked and not liked? What sort of work has it undertaken? How has it won friends (and lost them), and why did it gain enemies?	en_US
dc.publisher	Wolke Verlag	en_US
dc.relation.ispartof	Jazz & 100 An Alternative to a Story of Heroes	en_US
dc.title	In and Out: Processes of Inclusion and Exclusion in Joachim Ernst Berendt's Jazzbuch, or Towards the Biography of a Book	en_US
dc.type	Chapter
utslib.location	Hofheim	en_US
utslib.for	2002 Cultural Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.place-of-publication	Hofheim	en_US
pubs.publication-status	Published	en_US

Abstract:

In 1953 a book was born. Its sole parent, although there were various midwives, was given as Joachim Ernst Berendt (1922-2000), a broadcaster, journalist and producer, a man who came to be revered and reviled as Germany's so-called "jazz pope". In 1989 after the pope had retired from his day job at the Sudwestfunk public radio station and from the jazz community, and further settled into his role as New Age writer, the book gained an additional (step)father, Gunther Huesmann, who had already assisted less formally on the previous (1981) edition. After Berendt's death in 2000, the stepfather became sole adoptive parent. Over the years, the book grew in all sorts of different measures, and at the time that I am writing this, it would be 64 years old. Well known, certainly. Approaching retirement age, maybe. But what sort of character has this book had? Whom has it liked and not liked? What sort of work has it undertaken? How has it won friends (and lost them), and why did it gain enemies?

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/128420