Still Rage-ing: Australia's music video programme at 30

Giuffre, L

Still Rage-ing: Australia's music video programme at 30

Giuffre, L

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Publication Type:: Journal Article
Citation:: Perfect Beat, 2018, 19 (1), pp. 32 - 50
Issue Date:: 2018-01-01

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Field	Value	Language
dc.contributor.author	Giuffre, L https://orcid.org/0000-0001-9648-4289	en_US
dc.date.issued	2018-01-01	en_US
dc.identifier.citation	Perfect Beat, 2018, 19 (1), pp. 32 - 50	en_US
dc.identifier.issn	1038-2909	en_US
dc.identifier.uri	http://hdl.handle.net/10453/129747
dc.description.abstract	© Equinox Publishing Ltd 2018. The music video programme Rage celebrated its thirtieth year on air in April 2017. A staple of the Australian media landscape and an important music source for industry and audiences, Rage provides national exposure for emerging artists as well as a platform for tributes, recommendations and popular music histories. The programme is also unique internationally, with a longevity and influence that television outlets in comparable markets like the US and UK have been unable to replicate. This article explores Rage's continuing broadcast as well as evolution and expansion into on-demand and digital television services. I argue that the music programme continues to innovate in the post-broadcast television and digital music industries, as well as provide an important touchstone for traditional Australian television and music outlets.	en_US
dc.relation.ispartof	Perfect Beat	en_US
dc.relation.isbasedon	10.1558/prbt.36724	en_US
dc.title	Still Rage-ing: Australia's music video programme at 30	en_US
dc.type	Journal Article
utslib.citation.volume	1	en_US
utslib.citation.volume	19	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
utslib.for	2002 Cultural Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.issue	1	en_US
pubs.publication-status	Published	en_US
pubs.volume	19	en_US

Abstract:

© Equinox Publishing Ltd 2018. The music video programme Rage celebrated its thirtieth year on air in April 2017. A staple of the Australian media landscape and an important music source for industry and audiences, Rage provides national exposure for emerging artists as well as a platform for tributes, recommendations and popular music histories. The programme is also unique internationally, with a longevity and influence that television outlets in comparable markets like the US and UK have been unable to replicate. This article explores Rage's continuing broadcast as well as evolution and expansion into on-demand and digital television services. I argue that the music programme continues to innovate in the post-broadcast television and digital music industries, as well as provide an important touchstone for traditional Australian television and music outlets.

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http://hdl.handle.net/10453/129747