OE House: A techno-peasant odyssey in three acts

Grau, U; Goberna Pesudo, C

OE House: A techno-peasant odyssey in three acts

Grau, U

Goberna Pesudo, C

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Publisher:: Ediciones ARQ / Pontificia Universidad Católica de Chile School of Architecture
Publication Type:: Journal Article
Citation:: ARQ Magazine, 2016, 94 pp. 106 - 113
Issue Date:: 2016-12-01

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Field	Value	Language
dc.contributor.author	Grau, U https://orcid.org/0000-0003-1906-1615	en_US
dc.contributor.author	Goberna Pesudo, C	en_US
dc.date.issued	2016-12-01	en_US
dc.identifier.citation	ARQ Magazine, 2016, 94 pp. 106 - 113	en_US
dc.identifier.issn	0716-0852	en_US
dc.identifier.uri	http://hdl.handle.net/10453/133487
dc.description.abstract	This house comes from a cross between several imaginaries: the traditional house and the modern house; local technique and industrial technology; the winter house and the summer house; Le Corbusier’s Maison Jaoul and Craig Ellwood’s Stahl House; everyday life in the countryside and global media exposure. Starting from these crossings, the project consistently negotiates these imaginaries giving birth to a completely unprecedented result.	en_US
dc.publisher	Ediciones ARQ / Pontificia Universidad Católica de Chile School of Architecture	en_US
dc.relation.ispartof	ARQ Magazine	en_US
dc.title	OE House: A techno-peasant odyssey in three acts	en_US
dc.type	Journal Article
utslib.citation.volume	94	en_US
utslib.location.activity	Chile	en_US
utslib.for	1201 Architecture	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.publication-status	Published	en_US
pubs.volume	94	en_US

Abstract:

This house comes from a cross between several imaginaries: the traditional house and the modern house; local technique and industrial technology; the winter house and the summer house; Le Corbusier’s Maison Jaoul and Craig Ellwood’s Stahl House; everyday life in the countryside and global media exposure. Starting from these crossings, the project consistently negotiates these imaginaries giving birth to a completely unprecedented result.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/133487