Making Light Sculptures in Suspended Space: A Creative Collaboration

Candy, L

Making Light Sculptures in Suspended Space: A Creative Collaboration

Candy, L

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Publication Type:: Chapter
Citation:: Springer Series on Cultural Computing, 2018, pp. 309 - 317
Issue Date:: 2018-01-01

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	2018_Book_ExplorationsInArtAndTechnology.pdf	Published version	8.94 MB	Adobe PDF	View/Open

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Field	Value	Language
dc.contributor.author	Candy, L	en_US
dc.date.issued	2018-01-01	en_US
dc.identifier.citation	Springer Series on Cultural Computing, 2018, pp. 309 - 317	en_US
dc.identifier.uri	http://hdl.handle.net/10453/134508
dc.description.abstract	© 2018, Springer-Verlag London Ltd., part of Springer Nature. This article explores the nature of art-technology collaboration by comparing two projects conducted 15Â years apart. The study data consisted of the records of conversations and interviews with the technologists in the team as well as the comments and documented reflections of the artist herself. Observations about the nature of successful art-technology collaborations are discussed with reference to the conclusions from that earlier research.	en_US
dc.relation.ispartof	Springer Series on Cultural Computing	en_US
dc.relation.isbasedon	10.1007/978-1-4471-7367-0_30	en_US
dc.title	Making Light Sculptures in Suspended Space: A Creative Collaboration	en_US
dc.type	Chapter
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
utslib.copyright.status	closed_access
pubs.publication-status	Published	en_US

Abstract:

© 2018, Springer-Verlag London Ltd., part of Springer Nature. This article explores the nature of art-technology collaboration by comparing two projects conducted 15Â years apart. The study data consisted of the records of conversations and interviews with the technologists in the team as well as the comments and documented reflections of the artist herself. Observations about the nature of successful art-technology collaborations are discussed with reference to the conclusions from that earlier research.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/134508