Communal Luxury and the Universal Republic in the Designs and Pedagogy of Lucien Henry

Giovanangeli, A

Communal Luxury and the Universal Republic in the Designs and Pedagogy of Lucien Henry

Giovanangeli, A

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Publisher:: The Institute for the Study of French-Australian Relations
Publication Type:: Journal Article
Citation:: The French Australian Review, 2019, 67 pp. 5 - 25
Issue Date:: 2019-12-31

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Field	Value	Language
dc.contributor.author	Giovanangeli, A https://orcid.org/0000-0001-9763-2503	en_US
dc.date.issued	2019-12-31	en_US
dc.identifier.citation	The French Australian Review, 2019, 67 pp. 5 - 25	en_US
dc.identifier.issn	2203-5362	en_US
dc.identifier.uri	http://hdl.handle.net/10453/138163
dc.description.abstract	Lucien Henry, Paris Communard and Australian artist, has been described by art historians as the most productive and influential artist working in Sydney from 1879 to 1891. He was hailed one of the first artists to advocate a national art through his use of motifs, symbols and patterns found in the local fauna and flora. Meanwhile, some studies on the Paris Commune refer to the continuing influence of the Communards who, following the popular uprising, worked on projects in various parts of the world and continued the legacy of the Commune. This paper examines some of the ideology and designs of Henry, notably through the letters and articles written by the artist in journals and letters during his period in Australia to argue that Henry’s artistic and teaching practices in Australia represent the ontology of transculturation as a result of his experience in France during the Paris Commune.	en_US
dc.publisher	The Institute for the Study of French-Australian Relations	en_US
dc.relation.ispartof	The French Australian Review	en_US
dc.title	Communal Luxury and the Universal Republic in the Designs and Pedagogy of Lucien Henry	en_US
dc.type	Journal Article
utslib.citation.volume	67	en_US
utslib.location.activity	Australia	en_US
utslib.for	2103 Historical Studies	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.for	20 Language, Communication and Culture	en_US
utslib.for	21 History and Archaeology	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.publication-status	Published	en_US
pubs.volume	67	en_US

Abstract:

Lucien Henry, Paris Communard and Australian artist, has been described by art historians as the most productive and influential artist working in Sydney from 1879 to 1891. He was hailed one of the first artists to advocate a national art through his use of motifs, symbols and patterns found in the local fauna and flora. Meanwhile, some studies on the Paris Commune refer to the continuing influence of the Communards who, following the popular uprising, worked on projects in various parts of the world and continued the legacy of the Commune. This paper examines some of the ideology and designs of Henry, notably through the letters and articles written by the artist in journals and letters during his period in Australia to argue that Henry’s artistic and teaching practices in Australia represent the ontology of transculturation as a result of his experience in France during the Paris Commune.

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http://hdl.handle.net/10453/138163