Hanky

Robinson, TM

Hanky

Robinson, TM

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Publisher:: UTS
Publication Type:: Exhibition
Citation:: Drawn Threads, 2009
Issue Date:: 2009-04-28

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	Filename	Description	Size
	2008003792OK.pdf		662.95 kB	Adobe PDF	View/Open

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Full metadata record

Field	Value	Language
dc.contributor.author	Robinson, TM https://orcid.org/0000-0002-0209-4771	en_US
dc.contributor.editor	Gwilt, A	en_US
dc.contributor.editor	Heffer, C	en_US
dc.contributor.editor	Robinson, T	en_US
dc.date	2009-04-28	en_US
dc.date.issued	2009-04-28	en_US
dc.identifier.citation	Drawn Threads, 2009	en_US
dc.identifier.uri	http://hdl.handle.net/10453/14192
dc.description.abstract	The body of work examined the realm of men's accessories and contemporary masculine identity with the use of hand embroidery techniques. The project specifically addressed the question of the gendered nature of both sartorial practice and needlecraft practices. By subverting iconic pieces of traditional male attire with hand embroidered text the series established a novel design methodology for critical commentary with the domain of men's fashion.	en_US
dc.publisher	UTS	en_US
dc.relation.ispartof	Drawn Threads	en_US
dc.title	Hanky	en_US
dc.type	Exhibition
utslib.location	UTS Tower foyer exhibition space	en_US
utslib.location.activity	UTS Tower exhibition space	en_US
utslib.for	1203 Design Practice and Management	en_US
dc.location.activity	UTS Tower exhibition space	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.finish-date	2009-04-28	en_US
pubs.place-of-publication	UTS Tower foyer exhibition space	en_US
pubs.start-date	2009-04-28	en_US

Abstract:

The body of work examined the realm of men's accessories and contemporary masculine identity with the use of hand embroidery techniques. The project specifically addressed the question of the gendered nature of both sartorial practice and needlecraft practices. By subverting iconic pieces of traditional male attire with hand embroidered text the series established a novel design methodology for critical commentary with the domain of men's fashion.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/14192