Fashion Designers

McNeil, PK

Fashion Designers

McNeil, PK

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Publisher:: Berg
Publication Type:: Chapter
Citation:: Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe, 2010, 1, pp. 129 - 136
Issue Date:: 2010-01

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Field	Value	Language
dc.contributor.author	McNeil, PK https://orcid.org/0000-0002-2151-4196	en_US
dc.contributor.editor	Skov, L	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe, 2010, 1, pp. 129 - 136	en_US
dc.identifier.isbn	978-1-84788-397-1	en_US
dc.identifier.uri	http://hdl.handle.net/10453/14308
dc.description.abstract	In the global culture of the carly twenty~first century, in which de~ signers' names provide the subplots of films and television shows such as Sex and the City, the linking of the £1shion designer with creativity, fantasy, escapism, and glamour is stronger than at any time since Christian Dior's "New Look" of the 1950$.	en_US
dc.publisher	Berg	en_US
dc.relation.ispartof	Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe	en_US
dc.title	Fashion Designers	en_US
dc.type	Chapter
utslib.location	Oxford and New York	en_US
utslib.for	120301 Design History and Theory	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	Oxford and New York	en_US

Abstract:

In the global culture of the carly twenty~first century, in which de~ signers' names provide the subplots of films and television shows such as Sex and the City, the linking of the £1shion designer with creativity, fantasy, escapism, and glamour is stronger than at any time since Christian Dior's "New Look" of the 1950$.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/14308