“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality

Keogh, B

Collinson, I

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Field	Value	Language
dc.contributor.author	Keogh, B https://orcid.org/0000-0002-1975-4924
dc.contributor.author	Collinson, I
dc.date.accessioned	2020-10-21T01:43:27Z
dc.date.available	2020-10-21T01:43:27Z
dc.date.issued	2020-06-17
dc.identifier.citation	Journal of World Popular Music, 2020, 7, (1), pp. 51-68
dc.identifier.issn	2052-4900
dc.identifier.issn	2052-4919
dc.identifier.uri	http://hdl.handle.net/10453/143420
dc.language	en
dc.publisher	Equinox Publishing
dc.relation.ispartof	Journal of World Popular Music
dc.relation.isbasedon	10.1558/jwpm.37489
dc.rights	info:eu-repo/semantics/restrictedAccess
dc.subject	1902 Film, Television and Digital Media, 1904 Performing Arts and Creative Writing, 2002 Cultural Studies
dc.title	“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality
dc.type	Journal Article
utslib.citation.volume	7
utslib.for	1902 Film, Television and Digital Media
utslib.for	1904 Performing Arts and Creative Writing
utslib.for	2002 Cultural Studies
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of Communication
pubs.organisational-group	/University of Technology Sydney
utslib.copyright.status	closed_access	*
dc.date.updated	2020-10-21T01:43:10Z
pubs.issue	1
pubs.publication-status	Published online
pubs.volume	7
utslib.citation.issue	1

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